Hot Picks

- Talk of the Dead 2016

- The Night Monica Came Back 2017

- The Dead Next Door 1989

- Wrath City 2017

- Is This Now 2017

- The Ice Cream Truck 2017

- Re-Animator 1985

- Fate 2017

- Terror in a Texas Town 1958

- Effects 1980

- The Son, the Father... 2017

- Vesper 2017

- Evil Ed 1995

- Mondo Shock 2017

- Biting Off More Than You Can Chew 2014

- Art of Obsession 2017

- Lake Alice 2017

- American Virus 2017

- Abduction 2017

- Night of Something Strange 2016

- Deet 'n Bax Save th' World 2015

- Placebo 2017

- WTF! 2017

- Alley Trash 2017

- Madhouse 1981

- The Acid Sorcerer 2017

- The Answer 2015

- Altar 2016

- Monster Hunt 2015

- Spidarlings 2016

- Survive 2014

- 3 Hours till Dead 2016

- Wichita 2016

- Guerrilla 2017

- She Rises 2017

- 13 Demons 2016

- The Wake 2017

- The Life of Esme 2017

- Tsunambee 2015

- #FromJennifer 2016

- Precious 2017

- Pronoia 2017

- Dead Meet 2016

- Devil's Domain 2016

- Terminal Legacy: Lost Souls 2016

- The Passing 2015

- Bad Frank 2017

- 72 Hours 2016

- The Madame in Black 2017

- A Killer Conversation 2014

- Out of My Skin 2016

- Star Crash 1979

- Strangler of the Swamp 1946

An Interview with Lukas Hassel, Director and Star of Into the Dark

by Mike Haberfelner

May 2014

Lukas Hassel on (re)Search my Trash

 

Quick Links

Abbott & Costello

Alice in Wonderland

Batman

Bigfoot

Black Emanuelle

Bomba the Jungle Boy

Bowery Boys

Bulldog Drummond

Captain America

Charlie Chan

Cinderella

Dick Tracy

Dr. Mabuse

Dr. Orloff

Doctor Who

Dracula

Elizabeth Bathory

Emmanuelle

Fantomas

Flash Gordon

Frankenstein

Frankie & Annette Beach Party movies

Freddy Krueger

Fu Manchu

Fuzzy

Gamera

Godzilla

Hercules

El Hombre Lobo

Incredible Hulk

Jack the Ripper

James Bond

Jekyll and Hyde

Jerry Cotton

Jungle Jim

Justine

Kekko Kamen

King Kong

Lemmy Caution

Lobo

Lone Wolf and Cub

Maciste

Marx Brothers

Miss Marple

Mr. Moto

Mister Wong

Mothra

Nick Carter

OSS 117

Phantom of the Opera

Quatermass

Robin Hood

Santa Claus

El Santo

Schoolgirl Report

The Shadow

Sherlock Holmes

Spider-Man

Star Trek

Sukeban Deka

Superman

Tarzan

Three Mesquiteers

Three Musketeers

Winnetou

Wizard of Oz

Wolf Man

Wonder Woman

Yojimbo

Zatoichi

Zorro

Your new movie Into the Dark - in a few words, what is it about?

 

It's about the importance of the human connection. The world may try to alienate us from each other, but we have to remember first and foremost, we are (and I hate to quote Barbra Streisand here, I really do, but...) people who need people.

 

What were your inspirations when writing Into the Dark, and how did the project come into being in the first place?

 

The short film came about because I finally managed to write a couple a really great feature scripts that won some awards etc. and I realized I wanted to direct them. However, in order for my producers to be able to pitch me as such, I had to first direct something. Makes sense, I suppose. So I wanted to create a short film. I have seen a ton of shorts over the years, and most are simply not my thing. I wanted to create a short that I'd like to see up on the screen. Something unusual. And the idea of a sci fi short came up.

As a kid I loved the sci fi short stories of Ray Bradbury, and always remembered one about astronauts floating through space. The story always lingered in my mind. And I managed to pay homage and create an unusual, and I think successful, script from there.

 

What can you tell us about your directorial approach to your subject at hand?

 

Well, it was a big help that I was also the writer, because over the months it took me to whittle the script down and hone it, I knew EXACTLY what the film should look and feel like. Similarly, casting myself seemed to be easier too, as I knew what I needed out from the main character. I shot chronologically (a luxury), and was always aware of the arc of the story, where it needed to move, and where it needed to breathe. I like to collaborate with my DP (cinematographer), and so we would discuss each set up briefly before i would get strapped in and get into character. The balancing act between acting and directing was not easy.

 

Into the Dark features quite a few impressive special effects - so do talk about the effects work on your movie!

 

One of the reason sci fi shorts (I discovered this) are not done often is that special effects are expensive! Thankfully I knew of a great post production special FX office in Mexico. They loved the script, and we worked via Skype and emails on 85 % of the effects. It was tough not being able to be in the same office and go over things, so it took a bit longer than necessary probably, but I'm thrilled with the work they did. The two shots I really wanted in the end, the exterior space shots, had to be done by a NY expert (who did Beast of the Southern Wild). Those were pricey...

 

You spend the most part of Into the Dark strapped to the floor and yet play the only on-screen character - so what kind of a challenge was it to bring your role across, and what did you draw upon to bring him to life?

 

I am primarily an actor, so getting into the head of this character was the easy part. I love being put into extreme roles and enjoying the embodiment of someone completely different to myself. it was not hard to find the claustrophobia, fear, hatred, humor etc. It was all right there, in the script.

 

Do talk about your collaborators on Into the Dark for a bit, and why exactly these people?

 

My main collaborator was my DP, Henry B. Lee. He and I had worked together before, and I love his work. So that trust was key. The other main help was my writing group, where I had brought my script in a few times for hard core feedback. That was invaluable. These are all people I know have the best intentions. They know what I'd like to achieve and so the discussion were not about the film THEY wanted to make from my script, but about the movie I wanted to make, and those are the notes that would be helpful.

 

What can you tell us about the shoot as such, and the on-screen atmosphere?

 

Because we built the set in my 5th floor walkup in NY (trust me, it was a lot of schlepping!), I had the luxury of time. There's was no studio cost, no one telling me to rush. So we took our time. However, the apartment looked like a futuristic world war III, with wires, fake smoke, lights, over turned furniture (to block sound, make room) etc. I had organized a few helping hands on set every day, apart from my DP and myself, and so the set was never crazy packed or stressful. If we didn't get the shot one day, I knew we would get it the next.

 

In general, you're mostly known as an actor - so what made you choose the directorial chair as well for Into the Dark? And what can you tell us about your previous experiences as a director?

 

As I mentioned earlier, I had some good feature length scripts I wrote that wanted to direct. Le Mécano (a drama set in Northern Africa and Paris), and Galapagos (post apocalyptic suspense). I needed to show producers I could direct with a vision. The only film directing before that really, was a little 5 minute short, Dinner with Peter, which actually did well in some festivals back in 2006!

 

The $64-question of course, when and where will Into the Dark be released onto the general public?

 

That is hard to say. The film has only just started its festival run, and as long as its on that circuit it can not be available to the public. Happy to report it is picking of some great awards so far, so hopefully someone wants to stick it on a compilation of Best Shorts or something for the public.

 

Any future projects beyond Into the Dark you'd like to share?

 

I'll be starring in Jeremiah Kipp's The Minions [Jeremiah Kipp and Joe Fiorillo talk The Minions - click here], out later this summer, a great suspense short film, as well as a couple of other projects. Then it's about getting my feature scripts made!

 

What got you into acting in the first place, and what can you tell us about your education on the subject?

 

Hard to pinpoint when I decided to become an actor. I always played the lead in school plays, mostly because no one else cared to, and I was good at it. When praise comes one's way, it tends to encourage rather than dissuade, so... I went to Trinity College in Dublin, Ireland for acting, loved the strong acting traditions there. Did mostly theater, but moved to NY in '96 to pursue more film. Now it's almost exclusively indie film projects I act in.

 

What can you tell us about your first time in front of a movie or TV camera, and what was that experience like?

 

Borstal Boy directed by Peter Sheridan was the first big set, big film I was in. It was super intimidating. I had a couple of great one-on-one scenes, as well a massive rugby scene with multiple cameras, crowds, extras etc... I remember just trying to appear calm and not fall on my face. To this day, I regret not risking a particular move in a scene because I was afraid of doing something wrong. Lesson learned: go for it, trust your gut.

 

What can you tell us about your filmwork prior to Into the Dark?

 

I have worked in TV, on indie film sets and few times on big film sets. On American TV, the pressure is insane. On European TV, it's not as bad. I shot a lovely feature a few years back with director Kim Cummings, In Montauk and I rmemeber thinking, "that's a lovely director. Patient, and present." I will try to emulate that. Jeremiah Kipp (The Days God Slept, The Minions) is also a great director, and I have worked a couple of times with him now. I'd follow him into the jaws of Hell, such a talented filmmaker. We'll work together for a long time I think.

 

How would you describe yourself as an actor and as a director?

 

As an actor, I'd say fearless. There's no corner of my mind or body that I don't feel comfortable exploring.

As a director, I'd say deliberate. I know what I want, and I'm detail-oriented.

 

Actors, filmmakers, whoever else who inspire you?

 

Danny Boyle's Sunshine blew my mind. The story has a few holes and lacks, but the style and the assuredness of his directing is stunning, It also has one of the most beautiful jobs of a cinematographer I have ever seen. Some of Terence Mallick's early work, some Kubrick. I have to say though, that mainly it is all the bad films that inspire and influence me the most. I get angry at certain films because the director got lazy or whatever, and that gets my fire going to make a better movie...

 

Your favourite movies?

 

An ecclectic mix: Waiting for Guffman, Falling in Love, Sunshine, Cabaret, Dancer in the Dark, Long Kiss Goodnight, Drive, The Shining.

 

... and of course, films you really deplore?

 

Feeling lucky ?
Want to
search
any of my partnershops yourself
for more, better results ?

The links below
will take you
just there!!!

Find Lukas Hassel
at the amazons ...

USA  amazon.com

Great Britain (a.k.a. the United Kingdom)  amazon.co.uk

Germany (East AND West)  amazon.de

Looking for imports ?
Find Lukas Hassel here ...

Thailand  eThaiCD.com
Your shop for all things Thai

Something naughty ?
(Must be over 18 to go there !)

x-rated  find Lukas Hassel at adultvideouniverse.com

Blue Jasmine (actually all Woody Allen films since Husband and Wives), Prometheus, any of the Marvel comics movies bar the first couple, any Ron Howard film (minus Apollo 13, which I enjoyed), most of Spielberg's work since Jurassic Park.

 

Your/your movie's website, Facebook, whatever else?

 

www.intothedarkmovie.com

www.lukashassel.com 

Facebook: Into the Dark

Facebook: Lukas Hassel - actor, director

 

Anything else you are dying to mention and I've merely forgotten to ask?

 

So Lukas, if a filmmaker reads this and wants to cast you in his his interesting movie, would you be interested?

Sure, send me the script and let's talk!

:)

 

Thanks for the interview!

 

© by Mike Haberfelner


Legal note: (re)Search my Trash cannot
and shall not be held responsible for
content of sites from a third party.




Thanks for watching !!!



 

 

On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide
WHICH IS WORSE!!!

 

A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
starring
Ryan Hunter and
Rudy Barrow

out now on DVD

 

 

Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
... und stell Dir vor, der Penner von der U-Bahnstation hat doch recht ...
... und dann triffst Du auch noch die Frau Deiner (feuchten) Träume ...

 

Und an diesem Tag geht natürlich wieder einmal die Welt unter!!!

 

Bauliche Angelegenheiten
ein Roman von
Michael Haberfelner

 

Jetzt kaufen bei
Lulu.com