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An Interview with Nathan Faudree, Co-Director and Star of Site 13

by Mike Haberfelner

February 2022

Nathan Faudree on (re)Search my Trash

 

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Your new movie Site 13 - in a few words, what is it about?

 

Site 13 is a Lovecraftian cosmic horror movie about Dr. Nathan Marsh who wakes up in a mental institution from a 10 year catatonic state. He has to watch the tapes from his last expedition to learn what eldritch horrors he has unleashed on the world.

 

Now quite a bunch of the movie was already shot back in 2003 if I'm not mistaken - so how did the project back then come together even?

 

It originated as an improvised found footage movie with Tony Urban from Crazy Ralph Films. I had worked on a few movies with Tony at the time and we were both inspired by The Blair Witch Project and other found footage films.

 

What can you tell us about the old footage's director Tony Urban, and about the shoot as such?

 

I love Tony! He is amazing and inspired and a wonderful writer with a bunch of books to his name now. Check them out on Amazon. The shoot itself was a two day shoot in Friedensberg, Pennsylvania. We had a rough outline of what exactly we were doing and I came up with a whole Lovecraft type mythology for our story. We went out to the woods with a tent and camped and shot the movie.

 

Why was the project abandoned all these years back, and what inspired you to revive it eventually?

 

As the DVD boom of the early 2000’s was drawing to a close, Tony decided to make a pivot into photography and writing, so the movie was shelved. We talked about the project a lot though. Kelly Ray, one of the other actors, and I would always commiserate about how we thought it was some of our best acting and that no one would see it. We always talked about how we could change that. Then in 2016 I was coming off playing Macbeth on stage and I knew that I had to have something lined up to work on next or I was going to come crashing down. So, I came up with the idea of shooting a present day portion and using the old footage as a flashback.

 

What were your sources of inspiration when writing your portion of Site 13, and how close did you stay to the original concept?

 

My biggest inspiration was HP Lovecraft. I structured the story in the same way as many of his stories, a narrator telling a story about the past run in with unspeakable horrors, but in this case I used the videotape as the story. Plus in Lovecraft’s material you can get away with not showing the monster too much. Which from a financial standpoint helped a lot too. And then when I was thinking cinematically, I took a lot of inspiration from John Carpenter’s Prince of Darkness. His whole Apocalypse Trilogy really.

 

What can you tell us about Site 13's approach to horror?

 

I really wanted to go with the whole creepy and dread building as the approach. Cosmic horror. Existential horror. And then try to formulate a human response to that dread. Lovecraft has such a nihilistic and xenophobic sense to much of his work and this was an answer to that.

 

A few words about your directorial approach to your story at hand?

 

The big thing for me was to get the right people working on the project and then let them do their job. I was really lucky to have Chris Steinberger come on as my cinematographer. We went over all of our shots beforehand so I knew what to expect and the aesthetic that we were going for. And then let him do his job while I worked with the actors. I’ve been an actor for years, so working with actors and helping to guide their performance is always one of my favorite things to do.

 

You also play the lead in Site 13, both old and new - so do talk about your character, and what did you draw upon to bring him to life? And how much Nathan Faudree can we actually find in Dr. Nathan Marsh?

 

I think there are aspects of the character that are me, but really it’s just an alchemy of traits that I amplify or turn down. I may be not as douchey as Dr. Marsh, but I certainly can be at times. Hahaha So, I think the important thing to do with any character is tell the truth as much as you can with the character's life and background as your tools.

 

What can you tell us about the rest of your cast, and why exactly these people?

 

With the old footage, I got very lucky with Kelly Ray, Nichole McFarlane and John Wisnewski. Tony assembled all that. When it got to the present day footage, Katie Gibson and Leila Quinn are both incredible actors that I had gotten the chance to work on stage with while I was living in Syracuse, NY and honestly, I just wanted to work with them again. I had actually just worked with Katie on Macbeth where she played Lady Macbeth. I figured if I was making a movie I would do whatever I could to work with people that I wanted to have fun with.

 

A few words about the shoot as such, and the on-set atmosphere?

 

It was a very intense shoot. We shot all of the present day portions of the film in one week. It was incredibly long days and not much sleep. Luckily we had such an incredible crew and everyone was working for the love of it. So, we just toughed it out. The thing with doing micro budget is that you have to get very creative and you have to do it fast. So, there were constant decisions being made that would affect the entire shoot for the day. But we didn’t really have the luxury of stopping to think if it was possible. We just kept going.

 

You of course also have to talk about the post production process of splicing the two movies together for a bit!

 

I got very lucky with the post production. I caught up with indie horror legend Alan Rowe Kelly [Alan Rowe Kelly interview - click here] just as he was coming off the promotional tour for his last film Tales of Poe. He was looking for a new project and generously offered to help. And then the madness began. Hahaha. We essentially had to edit this movie three times. Once for the old footage. Once for the new footage and then the third time to integrate the two together into the final product. All told, between jobs, lives, and a pandemic it took about four years. But we just kept going. Learning as we went along.

 

The $64-question of course, where can Site 13 be seen?

 

Right now it’s on the festival circuit, so keep an eye out at your favorite festival. Hopefully we’ll have a distribution deal in place in the next few months and get it out everywhere this fall.

 

Anything you can tell us about audience and critical reception of Site 13?

 

So far the reactions have been wonderful. It’s a little tough to judge these days since most film festivals are online, but the feedback that I have been getting has been amazing. People are genuinely freaked out and some have actually been moved to tears by the dramatic moments, which is amazing to hear.

 

Any future projects you'd like to share?

 

I actually got the chance to cowrite Travis Stevens’ new film, A Wounded Fawn, which is in post production right now and will be on Shudder sometime this year.

 

What got you into acting in the first place, and did you receive any formal training on the subject?

 

I went to college for acting at SUNY Oswego and had wonderful training mostly in theater from classical styles and Shakespeare up to more modern Sam Sheperd type stuff.

 

What can you tell us about your filmwork prior to Site 13?

 

I worked primarily as an actor previous to Site 13. I’ve always done genre work, because that is where my heart lies. Horror, sci-fi, that type of thing. I like the weird stuff. I’ve played Bigfoot twice, a killer Easter Bunny monster in Kottentail, and I’ve done two zombie movies, so I’ve covered the gamut.

 

How would you describe yourself as an actor?

 

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One of my favorite quotes about acting is from Spencer Tracy. “I show up. I say my lines. And I try not to bump into the furniture.” I try to just do my job. Do the job that’s laid out in the script. Whether it’s a monster or whether it’s Shakespeare. I show up and I do my best to tell the truth with someone else’s words.

 

Actors, filmmakers, whoever else who inspire you?

 

Right now, everything that Mike Flanagan [Mike Flanagan interview - click here] is doing. His The Haunting of Hill House was everything that I think horror could be. That being said, John Carpenter and Cronenberg influence me a lot.

 

Your favourite movies?

 

I’m going through a Korean Horror phase right now, so my current favorite is Gonjiam: Haunted Asylum. I also LOVE this indie movie Banshee Chapter. And of the classics, I love The Thing, Prince of Darkness, In the Mouth of Madness, VideoDrome, The Fly.

 

... and of course, films you really deplore?

 

After making a movie, I realize now how much works goes into it, so I don’t really deplore anyone. Or at least, I won’t say anything about it, hahahaha!

 

Your/your movie's website, social media, whatever else?

 

Facebook: @Site13themovie

Instagram: @site_13_movie

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

I think that covers it all! Thank you!

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!