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Pinokio Ruto Kyu-Roku-Yon

964 Pinocchio

Japan 1991
directed by Shozin Fukui
starring Haji Suzuki, Onn-chan, Koji Otsubo, Kyoko Hara, Rakumaro San'yutei, Kota Mori, Tomio Watanabe, Anri Hayashi, Kyoko Irohani, Michiko Harada, Yuko Fujiwara, Yoshimitsu Takada, Naoshi Goda, Takahiro Hosoya, Ranko, Koji Kita
story by Shozin Fukui, screenplay by Shozin Fukui, Makoto Hamaguchi, Naoshi Goda, music by Hiroyuki Nagashima, special effects by Brian Joseph Moore

review by
Mike Haberfelner

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Pinocchio (Haji Suzuki) is a sex robot who somehow escaped his master, and in the process, his memory got erased - but fortunately, he ran into young Himiko (Onn-chan), who knows exactly what's wrong with him, who teaches him to speak and who helps him find at least rudimentary memories - she's so good at is, actually, that it's almost haunting. Then though, she first tortures then abandons him, and it looks as if there was a reason behind all of her actions ...

Meanwhile, the company that has built Pinocchio wants to retrieve the robot at any cost, and eventually, Himiko offers herself as bait.

Pinocchio has in the meantime transformed into a hate filled killing machine, and when he finally catches up witht he heads of his mother company, he is unbstoppable and kills all of them, all but Himiko, who it now turns out is a robot just like himself, and she used him to get her revenge at the company. Now that that's achieved, the two robots blend into one grotesque monster.

 

This film could have been a little gem, a trash/arthouse masterpiece along the lines of the original Tetsuo - and director Shozin Fukui certainly has impressive visuals to show, the fiklm doesn't shy away from gross-out scenes, and there is some biting satire hidden here and there ... and yet, the film is far from perfect, actually it's pretty bad: Basically the script seems somehow disjointed, takes very long to tell very little, and is a bit too far on the simplistic side to really convince. Add to this that the film acts any kind of decent pacing, and an insistance to drag pointless scenes out for way too long, and you are left with ... a missed opportunity, mainly. Sure, at least portions of the arthouse crowd still fell in love with some of the mocie's more controversial, taboo-shattering scenes, but with a bit of a rewrite and a serious recut this could have been really good.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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