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This film is about two photographers who want to spice things in their
studio up a bit. so they invite three girls and one more guy over and they
do a porn shoot, in which the photographers also participate as
performers. The girls all knew they were invited to a porn shoot (one
doesn't even freak out - or is in the least surprised - when one of the
photographers opens her in the nude), they perform enthusiastically, and
they get paid in the end. This is what the film shows us, what
the offline narrator tells us is a whole other story: According to him,
the photographers are slavers (though I always thought paying your
workforce is a big no-no in slavery), and they have their girls do porn
only to soften them up to prostitution. But luckily, one of their models,
Baby Bubbles (Jeanie Tulip) - who has done porn with equal enthusiasm as
the others - is an undercover agent for GAS - Girls Against Slavery -, and
with what she has seen during the porn shoot, the narrator invorms us, she
will be able to bust the two photographers ... On the surface
of course, this is nothing but a piece of hardcore porn, with a few hot
ladies at least who show some enthusiasm in their sex scenes - but the
real treat concerning this film is its offscreen narration that has very
little to do with the film at hand, instead drones endlessly about the
girls being drugged (no drug use, not even cigarettes, alcohol or coffee,
is shown), the girls being slaves (as mentioned before, they get paid) and
the photographers' lenses being hypnotic (what?). Now you might argue
that such a discrepancy between narration and picture is just bad
moviemaking, but on the other hand, it's a technique also used by David
Cronenberg in his early films Crimes
of the Future and Stereo -
which is not at all to say Baby Bubbles is in any way comparable to
Cronenberg's early borderline ingenious experiments, it just has a certain
unreal and exhilarating dimension to it that your usual porn flick is
missing. Fun, really.
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