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Darkness
Spain/USA 2002
produced by Julio Fernández, Brian Yuzna, Guy J. Louthan (executive), Carlos Fernández (executive), Bob Weinstein (executive), Harvey Weinstein (executive) for Fantastic Factory, Castelao Producciones, Dimension Films, Filmax, Vía Digital
directed by Jaume Balagueró
starring Anna Paquin, Lena Olin, Giancarlo Giannini, Fermi Reixach, Stephan Enquist, Fele Martinez, Iain Glen
written by Jaume Balagueró, Fernando de Felipe, additional dialogue by Miguel Tejada-Flores, music by Carles Cases, special effects by Filmtel
review by Mike Haberfelner
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When a couple (Lena Olin, Iain Glen) with a teenage daughter (Anna Paquin) & a 6-year-old son
(Stephan Enquist) move into an old house somewhere in Spain, creepy
things soon start to happen - with the father having an epilleptic
attack 6 becoming more & more violent, the electricity coming &
going at will without anything being wrong with the wiring, & the
little boy drawing pictures of dead kids & having bruises he cannot
account for just being the tip of the iceberg. Only Anna Paquin seems to
notice though that here's something inherently wrong, thus finding out
the architect (Fermi Reixach) of the house (this probably doesn't make
much sense if you only read it, it does so in the movie, which swiftly
follows the logic of a horror movie), who tells her that the house is
built like a sacrificial temple, & that 6 kids were killed there
some 40 years ago in the name of Darkness - would it have been 7,
it would have been the perfect sacrifice, Darkness would have
taken over, but since tomorrow is an eclipse of the sun anyways, the
sacrifice may be completed (that, too, makes sense in the movie). Later,
Paquin confides in her granddad (Giancarlo Giannini), unbeknowest that
he is actually tied in with the sacrifices, & that 40 years ago, his
son Iain Glen was the supposed seventh victim, & even though she can
finally escape the old man & finally has all the pieces of the
puzzle, she fails to put them together correctly & in the end helps
to finish the sacrifice she wanted to prevent - Darkness takes
over ...
Nice & creepy chiller, very much relying on spooky atmosphere,
and though in the first half it tries a little too hard to create the
same with tried & true recipes, that on some occasions seem to be
copied scene-by-scene from Stanley Kubrick's The Shining, the
finale is simply breathtaking & highly original & imaginative,
bringing the oft-times gotesque imagery to a suspenseful conclusion.
Anna Paquin is also great in the role of the by then rather cliched final
girl-role, often holding the story together when the absurd
proceedings are just too way-out to do so. Iain Glen, on the other hand,
is a real let-down, he just doesn't seem able to act at all,
never showing just one fitting reaction to the proceedings, not
even trying to make his character remotely coherent, more often than not
just sporting the "Hey look, I'm in a movie"-face.
Thank god he has only a supporting role.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
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Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
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