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Dark Touch

France/Ireland/Sweden 2013
produced by
Marc Bordure, Ed Guiney, Jean-Luc Ormières, Patrick Sobelman, Andrew Lowe (executive), Martina Niland (executive), Sean Wheelan (executive) for Element Pictures, Ex Nihilo, Filmgate, Film i Väst, Eurimages, Irish Film Board
directed by Marina de Van
starring Missy Keating, Mardella Plunkett, Padraic Delaney, Charlotte Flyvholm, Robert Donnelly, Ella Hayes, Mark Huberman, Katie Kirby, Art Parkinson, Susie Power, Anabel Sweeney, Olga Wehrly
written by Marina de Van, music by Christophe Chassol, special effects by Filmgate

review by
Mike Haberfelner

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Some small village in the Irish countryside: Young Niamh (Missy Keating) has some problems at home, which is why she runs away. She's however picked up by the neighbours Nat (Marcella Plunkett) and Lucas (Padraic Delaney), friends of her parents, who see to it that she returns home safely. Especially Nat has a soft spot for Niamh because she's the same age as her own eldest daughter who has died from cancer several years ago. And still, she is blind to the signs of abuse Niamh shows.

The next night, Niamh's parents and little brother are dead, killed by ... well it looks as if it was home invaders, but actually it was some supernatural power that had to do with Niamh and the pain she has experienced. After the death of her family, Niamh is given to Nat and Lucas to take care of, since there are no actual institutions in the village to deal with something like this, and it's not adviseable to take the young girl out of her natural enviroment.

Niamh totally shuts down when it comes to communicating with others in any meaningful way, especially with Nat and Lucas, whose motives she constantly misinterprets based on her past experiences. She however finds an empathic bond with two kids who are abused by their own mother ... and who would have known, the mother eventually dies in an incident similar to the one Niamh's parents have died in, and Niamh was scene near the scene of the crime ...

By and by, Niamh freaks everyone out, but Nat makes every effort to see to it that she is not treated as a freak and insists to have her invited to another girl's birthday party, even if that girl has so far nothing but bullied her. But Niamh has since the death of her parents found out that she actually has ESP powers, and at the party, when she feels mistreated, she causes a fire and almost makes the girls burn themselves ...

The finale sees Niamh and the two kids she has saved from their abusive mother lure all the kids to the school to then collapse it over them, then they lure Nat and Lucas to an abandoned building to brutally destroy them, standing in for all adults ...

 

A very creepy film, not only because it's very well-made and uses its modest budget effects to the fullest effect, but also because it does not (and makes it diffitult for the viewer to) take sides: Sure, what the girl does is wrong, but there's a cause for her fury, and she's too young to understand the subtleties of telling right from wrong in cases like hers, and while Nat has only the best for her in mind, she could have paid more attention to what's going on with her when her parents were still alive and she didn't serve as daughter surrogate, and she shouldn't have slapped her, too, when she lost her nerves.

Now add to this basic ambiguity a stringent screenplay, rather compelling lead performances, atnospheric filmmaking as well as inventive gore sequences, and you've got yourself a pretty creepy little film!

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

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special appearances by
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directed by
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written by
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produced by
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now streaming at

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Robots and rats,
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