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The Girl from Mexico

USA 1939
produced by
Robert Sisk for RKO
directed by Leslie Goodwins
starring Lupe Velez, Donald Woods, Leon Errol, Linda Hayes, Donald MacBride, Edward Raquello, Elisabeth Risdon, Ward Bond, William Worthington, Lucio Villegas, Harry Harvey, Carlos De Valdez, Frank Yaconelli
story by Lionel Houser, screenplay by Lionel Houser, Joseph Fields, music by Albert Hay Malotte, Harry Tierney, Roy Webb

Mexican Spitfire

review by
Mike Haberfelner

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Talent agent Dennis Lindsay (Donald Woods), who is only days away from his marriage to posh Elizabeth (Linda Hayes), is sent down to Mexico to find a singer, whom he finds in Carmelita Fuentes (Lupe Velez), an entertainer in a small hotel in the middle of nowhere. Dennis and Carmelita don't get along at all of course, part due to her hot temper, part due to his lack of any temper at all, but she has exactly the quality he ha been looking for, so he takes her with him to New York, where he offers her abode in his apartment - much to the dismay of his fiancée of course. Other than that though, he fails to look after Carmelita properly, much to her dismay, so she hooks up with his uncle Matthew (Leon Errol) - with whom she has a night on the town, and thus she loses her voice and messes up the audition the very next day. The same day though, behind Dennis's back, she scores a job for herself as a nightclub singer, and uncle Matthew, who has long sensed that Dennis and Carmelita are really in love, sees to it that Dennis sees her there. To make Dennis properly jealous, Carmelita pretends to leave the club with one of his clients, Romano (Edward Raquello), then on the day of Dennis's wedding rehearsal, she calls Dennis from Romano's apartment (where she's merely for a photoshoot), getting Dennis so jealous that he leaves from the rehearsal to get her back - and in the end, Dennis does get married, but to Carmelita, not to Elizabeth.

 

Let me start with the positive aspects of this film: Hot-tempered Lupe Velez is a likeable and unusual leading lady. And she and Leon Errol have just the right chemistry to carry the film. On the other hand, there is leading man Donald Woods, who is so uncharismatic one can't help but wondering why she wouldn't choose Errol over him - and with this remark we have already arrived at the main problem of this movie: There is no narrative reason for Carmelita and Dennis to fall in love, it's quite simply not set up, they seem to do it simply because the formula demands it. There are also no narrative reasons for quite a few other things, and all too often, this film seems to fall apart - if it wasn't of course for Lupe Velez and Leon Errol. One just wishes they were in a better movie ...

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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