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The G-String Horror - Demon Cut

USA 2013
produced by
Charles Webb, Joe Carouba (executive), John Espedal (executive), Sarah Kliban (executive) for Global Amusements
directed by Charles Webb
starring Debra Lamb, Natasha Talonz, Trevor O'Donnell, Mike Gleason, Ed Bowers, Genna Darling, Darius Rodrigues, Christopher Meyer, Reuben Splatterbeast, Victoria Lapse, Riata Ray, Alisha Berke, Habib Carouba, Judy Roe, Harley Hall, Kali Kalifornia, Juicy, Ameera, Mike Conant, Nicole, Amber Rain, Glen Chisolm, Trina, Tony King, Roberto Robledo, Tony Duren, Lonnie Jackson
music by Kevin MacLeod, special effects by Ed Martinez

review by
Mike Haberfelner

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The original G-String Horror was pretty unusual in both plot and approach, being a cross between erotic horror from the trashy side of the genre, "enhanced" documentary, and actual ghost hunt - so it's probably only fitting that this alternative "demon cut" is not just a slightly altered take on the original story but actually works as a sort-of sequel, the story being that the spirits depicted in the original have gotten their own hands on the footage and radically re-cut it.

 

The plot as such remains (relatively) identical:

20 years ago, the once prestigious Market Street Cinema that has long been turned into a strip club: Stripper Baby Doll (Natasha Talonz) tades a couple of customers who were having a birthday party down to the basement for a bit more privacy - but unfortunately, these customers are psychopaths, and they slaughter her down there.

Now a filmcrew wants to make a movie in the club, and the owner (Mike Gleason) is more than happy to accomodate them ... but then things get weird: Things start disappearing, the filmed footage seems to change with each viewing, everybody on cast and crew seems to feel a weird presence ... and occasionally, there's a stripper on stage who's just not supposed to be there and who, when followed, vanishes into thin air.

Psychic reader Lady Zee (Debra Lamb) is called in to investigate. At her psychic reading, she immediately notices a ghostly presence at the place, that of Baby Doll, the murdered stripper whose body has never been found. But despite trying as hard as she does, Lady Zee just can't figure out what Baby Doll might want - so she asks her nephew Sean (Trevor O'Donnell) to infiltrate the filmteam to do some ground research. Only later does she realize she has put her nephew in mortal danger - maybe too late, because now all hell breaks loose ...

 

What sets the Demon Cut apart from the original version then is that it includes messages from the spirit world, allegedly written by the Market Street Cinema ghosts/demons themselves, the timeline of the movie is slightly altered, oftentimes scenes from much earlier or later are superimposed over actual narrative scenes, some voices are altered as if to mock the characters, and sometimes the ghosts seem to totally disagree with the original intentions of the filmmakers, and make this known in various forms.

Now does all/any of this make the Demon Cut a better movie than the original? Hard to tell, really, as the basic concept of the thing is so weird that much of whether one likes it or not depends on whether one can accept the concept (I do, just in case you're wondering) - but the Demon Cut does add an extra layer to the story via its many associative superimposed images, its deliberate yet not random messing with the timeline and the like ... but on the other hand, that makes the plot of the movie a good bit fuzzier and harder to get - then again, the whole thing is so weird, it's still lots of fun one way or the other.

Recommended - to those with an open mind and a macabre sense of humour at least.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
demons and potholes,
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Tales to Chill
Your Bones to

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Tales to Chill
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a collection of short stories and mini-plays
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Tales to Chill
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the new anthology by
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