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The Guy from Harlem

USA 1977
produced by
International Cinema
directed by Rene Martinez jr
starring Loye Hawkins, Cathy Davis, Patricia Fulton, Wanda Starr, Steve Gallon, Laster Wilson, Vaughn Harris, Richie Vallon, Michael Murrell, Angela Schon, Douglas Ferraro, Fernando Yi, Colleen Martinez, Hyatt Hodgdon, Mickael Taylor, Raff Prieto, Lafon Hockaday, Douglas Brinson
written by Gardenia Martinez, music by Cecil Graham, performed by The Brand New Review

review by
Mike Haberfelner

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Miami: Private eye Al Connors (Loye Hawkins) is hired as a bodyguard for Ashanti (PAtricia Fulton), the wife of an African diplomat, but once his employers are gone, he knows nothing better to do than to try and seduce her, and when two assassins come by to kill her, that's only a minor bother, as he just beats them up then moves her from the five-star hotel they were staying at to the apartment of his girlfriend (Angela Schon) to successfully finish what he's begun.

Later, Connors is hired to free Wanda (Cathy Davis), daughter of crime kingpin Harry De Bauld (Steve Gallon), who has been kidnapped by Big Daddy's men, but they are so incompetent that they virtually lead him to Wanda and show little resistance when Connors shows up to free her. Then Connors takes Wanda to his girlfriend's place, seduces her, and only then returns her to her dad.

Big Daddy doesn't like Connors' constant interferences one bit, so he suggests to meet eye to eye - but of course, Big Daddy has brought a sniper with him to get rid of Connors - but luckily enough, Wanda's dad has sent a couple of thugs around to look after Connors without his knowledge - so the odds are evened, and in the finale, Big Daddy and Connors duke it out to see who's left standing ... and even though Big Daddy is about double his size, Connors beats him to death.

 

Pretty much blaxploitation at its worst. Obviously made on a shoestring, the film doesn't suffer so much from its low budget but more from bad writing, a bad direction, bad acting, bad action and the like. The writing is bad not just because the film is completely formulaic, but also because the story lacks proper buildup or any suspense and mainly seems to be interested in showing what a womanizer its lead character is, the directorial effort is flat to the point of staginess, and that several scenes have apparently been shot twice and left in the movie following each other is almost ridiculous, the actors are little more than amateurs and often stumble over their lines, which is left intact in the film, and the action scenes, mainly man-on-man fights are not only less than spectacular but also slowly executed, and none of the actors seem to be too well-versed in doing stunts.

In other words, a film that has to be seen, but if you're not into bad films, you'll probably never understand why.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!