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Aian Kingu - Gentaro Kiki Ippatsu! / Aian Kingu - Shisha-e no Kuchizuke

episode 9 & 10 / Iron King - Gentaro in Danger! / Iron King - A Kiss for the Dead

Japan 1972
produced by
Nippon Gendai, Senkousha/TBS
directed by Tetsuro Sotoyama, Hiroshi Fukuhara
starring Shozo Ishibashi, Mitsuo Hamada, Shinzo Hotta
written by Mamoru Sasaki, music by Kikuchi Shunsuke, special effects by Kiyoshi Suzuki, Koichi Takano

TV-series
Iron King

review by
Mike Haberfelner

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Gentaro (Shoji Ishibashi), agent for Professor Tsushima, and his klutzy colleague Goro (Mitsuo Hamada), who unbeknowest to Gentaro is really the giant robot Iron King, are getting closer and closer to the Shirunai Clan headquarters, much too close for Shirunai Clan leader Taro (Shinzo Hotta), who by now throws everything at them he's got, including any number of death traps, small tanks (that look like large mice [!]) and of course your customary giant robot, this time it's Gold Fire, who can turn his right hand into a missile to shoot at his adversaries and who can shoot fire. As always, Gentaro and Iron King manage to chase off the giant robot pretty soon, but you just know there will be a rematch ...

On their way to the headquarters, Gentaro and Goro find a bunch of female campers, and while Goro wants to urge them to leave, Gentaro decides to keep them here to use them as bait for the Shirunai Clan. As heartless as Gentaro's plan might be, it actually works, and soon Gentaro and Iron King engage in a batle with Shirunai-henchmen and with Gold Fire once again, but this time Iron King is thrown into an underground trap while Gentaro almost loses his life in the battle when he is threatened by Taro - but he is saved by lovely Kyoko walking by singing a lovely tune. Now Gentaro gets back at Taro, and Iron King saves himself from his underground prison, and the two of them chase Gold Fire and Taro away for now.

Kyoko immediately falls in love with Gentaro but urges him to stay away from Shirunai headquarters because she doesn't want to lose him - however, he just knows he has to fulfill his mission, so (for whatever reason) she heads for the headquarters herself and is of course taken hostage. And when Gentaro tries to free her, she is shot, too. Now there's no holding back for Gentaro and Iron King, and they go one on one with Taro and Gold Fire, respectively, and ultimately Iron King manages to secure the flying hand of Gold Fire, set it on fire and send it back to its owner, blowing up Gold Fire and Taro with it.

The Shirunai Clan is no more, but now a dinosaur-like creature has surfaced from its underground prison, a creature controlled by the Phantom Opposition Party - but more about that in the next episode ...

 

The two-part finale to the first story-arc of Iron King. Not the greatest couple of episodes probably, mainly because there's very little in terms of destruction of miniature sets (I guess I'm jsut a sucker for that), but still quite entertaining (in a silly, childish sort of way), with a particularly amusing giant robot, Gold Fire, who looks very much like a chicken. Now if that's no reason to watch the episode ...

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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