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La Marca del Muerto
Mark of the Dead Man
Mexico 1961
produced by Alfredo Ripstein hijo, César Santos Galindo (executive) for Alameda Films
directed by Fernando Cortés
starring Fernando Casanova, Sonia Furió, Rosa María Gallardo, Guillermo Cramer, Aurora Alvarado, Juan José Martínez Casado, Pedro de Aguillón, Guillermo Bravo Sosa, Edmundo Espino, Armando Velasco, Hortensia Santoveña
story by José María Fernández Unsáin, adaptation by Alfredo Varela, music by Gustavo César Carrión
review by Mike Haberfelner
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70 years ago, Dr. Malthus (Fernando Casanova) was hanged by the neck
for his experiments to stay forever young that involved blood transfusions
from women under 25 that ultimately killed same women. Now, Gonzalo
Malthus (also Fernando Casanova) returns home from his studies in Europe
and takes residence in his ancestor's home. It seems the place is still
haunted by the older Dr. Malthus, as Gonzalo is somehow led to his secret
laboratory, where he finds, next to cages full of mummified bodies from
the girls the good doctor used in his experiments, the formula to bring
Malthus sr back to life. So Gonzalo steals his body from the crypt,
abducts his fiancée Rosa's (Sonia Furió) maid Luisa (Aurora Alvarado),
and brings Malthus back to life. And Malthus is pretty much his splitting
image - but Malthus has a weak spot, he has to receive shots of fresh
blood regularly, otherwise he ages into a hideous old man rather rapidly.
At first he can still feed on Luisa, as Gonzalo has managed to keep her
alive, but eventually it becomes apparent that the next transfusion will
kill her. Gonzalo refuses to kidnap any more girls, upon which Malthus
throws him into a cage and takes over his life - which of course has him
in a great position to kidnap girls. With Gonzalo's life, he also takes
over Gonzalo's fiancée, who eventually finds out he's not Gonzalo when
she sees the marks the noose left on his neck when he was executed.
Malthus wants to throw her into a cave as well and maybe feed on her
blood, but by that time, Gonzalo and the girls Malthus keeps for blood
have managed a breakout, and eventually burn down Malthus lab, and him
with it. Now on a story level, La Marca del Muerto
offers little new, and it tells its story in a pretty simplistic manner -
which at least makes for a fun genre flick. This movie's saving grace
though is that it's very atmospherically shot, and even when the story's
weak it's strong on mood, and it really gets the most out of its
locations, making this actually a very decent watch.
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