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Shunpu Den

Story of a Prostitute

Japan 1965
produced by
Kaneo Iwai for Nikkatsu
directed by Seijun Suzuki
starring Yumiko Nogawa, Tamio Kawaji, Isao Tamagawa, Hiroshi Cho, Eimei Esumi, Shigeyoshi Fujioka, Kotoe Hatsui, Kazuko Imai, Tomiko Ishii, Kayo Matsuo, Midori Mori, Shoichi Ozawa, Kaku Takashina, Sokoto Kasai, Toshio Sugiyama
screenplay by Hajime Takaiwa, based on a story by Taijiro Tamura, music by Naozumi Yamamoto, production design by Takeo Kimura

review by
Mike Haberfelner

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Japanese-controlled Manchuria, World War II: After Harumi (Yumiko Nogawa) is left by her boyfriend, she decides to become a hooker on the frontlines of the war, as she thinks having sex with all those soldiers will make her forget her past experiences. On the first day at work, she falls out with the all-powerful adjutant (Isao Tamagawa), but since the adjutant isn't used to someone talking back to him, he comes to like the spirit of the girl, and he becomes her regular. And because he's that powerful, he can even order her around and tell her when to be available exclusively to him. Harumi hates the adjutant, and she doesn't mind about showing her feelings, either, but on a physical level she feels drawn to him, which makes her hate herself, too ... so she wants to have her revenge on the adjutant by seducing his orderly Mikami (Tamio Kawaji), who seems to be a man with no will of his own who follows his master around no matter what and takes all of his insults without even a trace of emotion.

After Harumi has succeeded in seducing Mikami, he is overcome by guilt and self-doubt - but it soon becomes clear that he is in love with her, and against all odds, Harumi has fallen in love with him as well, and thus the two of them continue their relationship, at first without the adjutant knowing about it of course. When he finds out though, he has Mikami arrested for the slightest midemeanor. He is only released when the enemy attacks, primarily because he's his battalion's best gunner - but then he's wounded on the battlefield, and while his comrades save his machinegun, they leave him to die. Only Harumi, desperate to save him, makes her way to his trench - more out of desperation though than with any real plan at all of how to save him.

Ultimately, the two fall into the hands of the Chinese, who patch Mikami up and offer him a life in peace, if he collaborates with them. The one alternative is to let him go, but then he will be court-martialed and shot by his own army for cowardice. Harumi wants to accept the Chinese offer, but Mikami is way too much a Japanese soldier to collaborate with the enemy. Thus when the Chinese retreat, they leave the two lovers behind, and when he's returned to his own battalion, Mikami is really treated like a traitor and prepared to be court-martialed - but the adjutant decides to let him keep face, and he wants to have him shot by his comrades somewhere in the nearby mountains and have it regarded as a honourable death. Thing is, Mikami's comrades just can't shoot him, so they return him to their camp - just when the enemy attacks.

During the attack, Mikami and Harumi are reunited, and they even find a way out to freedom - but mikami is way too much a soldier and patriot to become a deserter, so he kills himself with a hand grenade, and Harumi, who doesn't live without him anymore, throws herself onto him to die with him.

 

In the hands of any other director, this film would probably have become an unbearable piece of kitsch - but Seijun Suzuki just isn't any other director, so he has filled up his film with ironic details, has thrown out everything that suggests realism to find the right visuals to tell his story, uses highly stylized pictures to bring his point across, including heavy-handed symbolism used in an ironic way - and this way, his cheesy story all of a sudden seems remarkably fresh and original.

All that said, Story of a Prostitute is certainly not Suzuki's best movie, but it shows a master at work

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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a collection of short stories and mini-plays
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Tales to Chill
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the new anthology by
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