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Supervixens

USA 1975
produced by
Russ Meyer, Anthony-James Ryan (executive) for RM Films, September 19
directed by Russ Meyer
starring Shari Eubank, Charles Pitts, Charles Napier, Uschi Digard, Henry Rowland, Christy Hartburg, Sharon Kelly (= Colleen Brennan), Deborah McGuire, John Lazar, Stuart Lancaster, Glenn Dixon, Haji, Big Jack Provan, Garth Pillsbury, Ron Sheridan, John Lawrence, F.Rufus Owens, John Furlong, Paul Fox, Russ Meyer
written by Russ Meyer, music by William Loose

review by
Mike Haberfelner

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Somewhere in the middle of nowhere, USA: Gas station atendant Clint (Charles Pitts) and his wife SuperAngel (Shari Eubank) have a fight that is only ended when cop Harry Sledge (Charles Napier) knocks him out. Later SuperAngel throws Clint out of the house, and while he tries to drown his sorrow in alcohol, SuperAngel gets into bed with Harry ... only Harry can't get it up like a regular bloke, but gets turned on by sheer violence - which is something of a turn-off for SuperAngel ... and soon enough, he has killed her and burns down her house, but not enough at that, he makes it look as if Clint did it.

To escape arrest, Clint hits the road, but no matter where he goes, he seems to get into trouble, womantrouble:

- There's this couple (John Lazar, Sharon Kelly) who agrees to take Clint with them, but when Clint refuses (!) to get physical with her, the male part of the couple beats hikm up and robs his money.

- Then there's well-meaning farmer Luther (Stu Lancaster), who gives him food to eat, a roof over the head and even some money to start anew - problem is his wife SuperSoul (Uschi Digard) desperately wants to have sex with him and at one point forces herself onto him in the nude. When Luther catches them, he misinterprets the situation - and can you blame him - and chases Clint away.

- And then there's SuperEula (Deborah McGuire), who drives out into the desert with him and tries to seduce him, much to the dismay of her dad (Russ Meyer). It all ends in a car chase in fancy racing cars.

... finally, Clint finds clumsy gas-station owner Supervixen (Shari Eubank again), who has a gas station in the middle of nowhere, and who is in desperate need for help, and for a man ... and Clint fits both bills perfectly.

So it seems everything has come to a happy ending for Clint after all ... until cop Harry stops by, posing as a tourist, and Clint just fails to recognize him and makes friends with him. Eventually, Harry even invites him to a fishing trip and Clint agrees ... but soon enough, Harry's violent personality shines through when he kidnaps SuperVixen and ties her up spreadeagled inthe middle of the desert, then tries to take Clint out using dynamite he has nicked from an army blasting area. Ultimately he gets hold of Clint too and ties them both up together to blow them up like the romantic couple they are ... only the dynamite misfires while another piece of dynamite goes off when it's not supposed to and right next to Harry, which blows him to Kingdom Come ...

 

By and large, Russ Meyer's films from the 1970's are not quite as good as those from the 1960's, in parts because his self-referential humour doesn't always work, in parts because his formula - a hard-boiled story set in the rural nowhereland, USA featuring big tits and violence - has grown a tad thin, and in parts because by now the sex-market Meyer in the 1960's had pretty much to himself was oversaturated. Supervixens though is one of his better films from the 1970's as it keeps the humour down and goes for a comprehensible story instead. The only thing about this film is that it is too long and the story is not stringent enough, rather seems to fall into its little episodes, which robs the (literally) explosive finale of much of its impact. Stil, the film definitely has its moments.

 

review © by Mike Haberfelner

 

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Robots and rats,
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Tales to Chill
Your Bones to

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Tales to Chill
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Tales to Chill
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Out now from
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On the same day
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A Killer Conversation

produced by and starring
Melanie Denholme
directed by
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written by
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starring
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out now on DVD