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Sweeney Todd, The Demon Barber of Fleet Street

UK 1936
produced by
George King for George King Productions
directed by George King
starring Tod Slaughter, Stella Rho, Eve Lister, Bruce Seton, D.J.Williams, John Singer, Davina Craig, Jerry Verno, Ben Soutton, Billy Holland, Aubrey Mallalieu
screenplay by Frederick Hayward, H.F. Maltby, based on the play by George Dibdin-Pitt

Sweeney Todd

review by
Mike Haberfelner

... for a second opinion by Dale Pierce, Click Here !

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The London-piers, mid 1800's: Sweeney Todd (Tod Slaughter) is an incredibly greedy barber who doesn't mind which way he makes a guinee or two, be it taking up orphans as state-sponsored apprentices, then conveniently doing away with them, or robbing & murdering rich customers. With his money, he wants to buy himself into Oakley's (D.J.Williams) shipping company, not only for the prospected earnings but also because he is madly in love with Oakley's daughter Joanna (Eve Lister), trying to win her over with his wealth, while she is in love with simple sailor Mark (Bruce Seton), who is presently on a trip around Africa, & detested by Joanna's father for his poverty in the first place.

Sweeney's only partner in crime is Mrs Lovatt (Stella Rho), who runs a bakery next door & recycles the victims of Sweeney's lootings as meat pie.

But while Oakley runs out of money over a new ship he has built for the ccompany, & Sweeney sees a chance to tighten the stranglehold over the Oakley-family, Mark has come to unexpected riches when helping Trader Paterson (Aubrey Mallalieu) against a native uprising, & not only that, when his captain dies in the same uprising he is called the captain's successor. Sweeney has heard about Mark's newfound wealth though, & when he returns to England he persuades him to take a shave - only to at a convenient let him fall down a trap door. Mrs Lovatt though - who is ssecretly in love with Sweeney - sees through his plot to get rid of his competition for Joanna's hand & helps Mark escape.

With his shipmates, Mark then devices a plan to end Sweeney's business once & for all by entering his barbershop in disguise & trya to destroy the crimenest from the inside- Though not all that much comes of their plan. Joanna meanwhile, informed by Sweeney's latest apprentice Tobias (John Singer) has decided to enter Sweeney's shop too, disguised as a boy whio seeks apprenticeship - unfortunately at the least convenient moment, as Sweeney & Mrs Lovatt just had a fight during which he killed her & now he wants to burn down both his & her shop - & if his new apprentice dies in the fire too, all the better.

Fortunately though, Mark arrives just in time to save Joanna from the fire, & Sweeney, stupid enough to put up a fight with Mark with the building around him aflame, ends in his own burning shop.

 

In the 1930's, Tod Slaughter was a popular British folk-actor - both on stage & in the movies - whose speciality were pulpy, sensationalist tales in the Grand Guignol-vein, with him as the overactring, eye-rolling villain, & the role of Sweeney Todd - which was based on facts that formed the basis for George Dibdin-Pitt's play from the mid-1800's was one of his most popular roles & at the same time a perfect example for the roles he played, that of the ruthless, loud-voiced, stage-domineering bad guy. When the movie was made, Slaughter had already played the role for several years on stage, with great success.

Tghe movie itself boasts little in directorial style (in fact looks in large parts like a filmed stage play) & has only moderately convincing sets, but manages to create a certain brooding atmosphere, & the outrageously ham performance by Slaughter, while by no means convincing, is fun to watch nevertheless.

 

review © by Mike Haberfelner

... and a second opinion by Dale Pierce ...

 

When you mention Sweeny Todd, most people would think of the highly popular musical, which was of course, a major hit. "Attend the tale of Sweeny Todd. He served a dark and a vengeanceful god ..." Most know how it goes....

Few, however, realize there was an earlier Sweeny Todd, without the music and with a lot more grim atmosphere. In this vehicle the crazed barber is killing for profit as opposed to the vindictive Todd of the musical, who seeks revenge against a judge and a petty court officer for putting him in jail , then having him transported to Australia (where he escapes from and returns to England with murder in mind). This Todd, for what it is worth, is just plain, good old fashioned nuts, a basket case, an asshole, whatever you want to call him. And unlike in the musical that would come later, he offers no humorous qualities, in spite of his willingess to cut throats..

Sweeny Todd is played by veteran villain, Tod Slaughter, who once again is at his campiest and most hammy. Yet he pulls it off and makes his villain utterly detestable. This man has got to be one of the most underrated screen bad guys in history.

Sweeny Todd uses his barber shop as a place to lure in and kill people. Simple enough. In the end, his greed and his madness are his undoing. A very cut and dried plot. Shot long ago, the film faced censorship, dull camera angles, poor lighting, bad dubbing and bad sets, yet Slaughter, as always makes the thing work out.

 

review © by Dale Pierce

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
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special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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