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Der unheimliche Mönch
The Sinister Monk
West Germany 1965
produced by Horst Wendlandt, Preben Philipsen for Rialto
directed by Harald Reinl
starring Karin Dor, Harald Leipnitz, Siegfried Lowitz, Siegfried Schürenberg, Ilse Steppat, Dieter Eppler, Hartmut Reck, Kurt Waitzmann, Rudolf Schündler, Kurd Pieritz, Uta Levka, Dunja Rajter, Susanne Hsiao, Uschi Glas, Eddi Arent
screenplay by J. Joachim Bartsch, Fred Denger, based on the novel The Terror by Edgar Wallace, music by Peter Thomas, cinematography by Ernst W. Kalinke
Rialto's Edgar Wallace cycle, Edgar Wallace made in Germany, Sir John (Siegfried Schürenberg)
review by Mike Haberfelner
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Siblings Patricia (Ilse Steppat), Richard (Siegfried Lowitz) and
William (Dieter Eppler) are fighting over the inheritance of their father,
especially since William, a lawyer, has the actual last will in his hands
that would leave everything (safe for Patricia's boarding school for
girls) to their niece Gwendolin (Karin Dor), who's father's (their
brother) in prison for life. Now William offers to destroy the will - for
a price of course. Patricia and Richard turn him down, Richard for wanting
more of the take, Patricia because she feels for Gwendolin, and thus
invites her to stay with her at the boarding school, to protect the young
woman from her brothers - and it turns out also from her own son Ronny
(Hartmut Reck), who's later revealed to be a rapist and murderer. But the
boarding school isn't half as safe a place as it should have been, as
several of the students have disappeared over the last few months, and of
late the "sinister monk" is prowling the premises, and time and
again kills people using a whip to break his victims' necks. And there are
plenty of weirdos populating the boarding school, too, like morbid artist
Mr. Short (Rudolf Schündler), the creepy French tutor Monsieur d'Arol
(Kurd Pieritz), and the too-harmless-to-be-true caretaker Smithy (Eddi
Arent). Scotland Yard, led by Sir Jon (Sieffried Lowitz) but actually
operated by Inspector Bratt (Harald Leipnitz) investigates of course, but
for the longest time with no results, the Sinister Monk is apparently able
to enter and leave the premises as he pleases and kill whomever he has
taken a dislike to. And the students continue to disappear as well - until
Bratt makes a connection between the pidgeons Mr. Short keeps and the
missing girls, has one of them followed and is led to the hideout of the
Sinister Monk, who apparently runs a white slavery ring. The monk manages
to make a getaway though, even if wounded ... Meanwhile Gwendolin
receives a note that leads her to a cottage where she's to receive
evidence that her father is innocent of the murder he spends life in
prison for - and enter the wounded Sinister Monk, who makes good of his
promise, then is gunned down by the police and unmasked - as Smithy, who
ran the white slavery ring together with Short, but has fallen in love
with Gwendolin and thus saw it his duty to see to it that her father is
released from prison. And in the end, the inspector gets the girl -
Gwendolin that is ... As is the case with pretty much all
German Edgar Wallace mysteries, this one's over-convoluted (heck, this one
offers three mysteries for the price of one), over-populated, and doesn't
make perfect sense - including its resolution. And the acting by all the
usual faces from the series seems (as it often does) horribly dated. The
redeeming value of this film is its directorial effort though: Harald
Reinl, assisted by his frequent cinematographer Ernst W. Kalinke, puts the
muddled plot into elegant pictures that often work with depth the story is
sadly missing, and many well-composed and stylish shots give the film
class, with the director never forgetting to steep things in creepy
atmosphere that's so necessary to make a film like this work. It might not
be style over substance here, but the direction really adds a
busload to the proceedings. That said, the plot's still a mess, but if
you're a sucker for vintage murder mysteries of this ilk (and I know I
am), this is well worth a watch for sure. By the way, Rialto
remade this film only two years later as Der
Mönch mit der Peitsche/The
College Girl Murders, directed by Alfred Vohrer, who had by then
by and large taken over the Edgar
Wallace series.
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