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Zombie A-Hole

USA 2012
produced by
Dustin Mills
directed by Dustin Mills
starring Brandon Salkil, Josh Eal, Jessica Daniels, Elizabeth Aweiker, Melissa Blair, Michael Blair, Harper St.Clare, Fuckin Betty Fhite, Elysia S.Gipson, Melissa Miels, Dustin Mills, Lindsey Vesperry, Eugene Flynn (voice)
written by Dustin Mills, music by Slug, Jared Kaelber, makeup and creature FX by Sherriah Salkil, Dustin Mills

review by
Mike Haberfelner

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Frank (Josh Eal) is your typical loner out of a Western movie: He rides the plains alone, looking for vengeance. Just that he does ride a car rather than a horse, and that the one he's looking for is a zombie possessed by a demon who kills identical twins. Ah yeah, and to pick up his trail, he carries a copy (!) of the Necronomicon, and a demon in a wooden box.

Eventually, Frank picks up a hitchhiker, Castor (Brandon Salkil), who just happens to be the (healthier looking) splitting image of the zombie demon who Frank's trailing, and who turns out to be his identical twin. Frank figures his telepathic link to his brother (all identical twins have telepathic links of course) could help him track down the zombie demon ... but it also causes that the zombie demon (fittingly called Pollux) is now after them.

In the meantime, Frank's sister Mercy (Jessica Cook), who has lost an eye, a hand and her identical twin sister to Pollux - which is why Frank is after him - has been following Pollux simply by picking up his trail of twin murders. Frank tries to send Mercy back home once their paths cross, but she is not easily dissuaded, and eventually, everything mounts up to a deadly finale ...


You might have guessed it, Zombie A-Hole is not the most intelligent movie, nor does it necessarily make perfect sense - and it doesn't actually have to, instead it's a throwback to the times when low budget genre movies did not try to be witty, self- or genre-reflexive, post-modern or over-the-top gross, but were mainly made to be fun telling some outrageous (but often quite imaginative) stories that somehow featured enough boobs and gore to keep everyone happy - think vintage Full Moon movies (and Empire films before them) perhaps, or Italian grindhouse fare of the early 1980's.

So yeah, every serious demonologist or expert on H.P. Lovecraft (whose body of work is referred to in the film) will probably love to hate this film, but those who have come to have fun will have just that: Fun. The whole thing is well-made especially when considering the low budget, it's expertly paced, nicely shot and features a likeable cast as well as some wonderfully grotesque special effects and quite a bit of gratuitous nudity.

Recommended, actually!


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD