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Jane's (Mhairi Calvey) is really down on her luck, she has been evicted
from her last flat weeks ago, has been sleeping in her car, has just lost
her job, and now her car's about to break down - so when she learns she
might be up for an inheritance from her aunt Alex (Emma Spurgin Hussey),
who has only recently taken her own life, she's cautiously optimistic. At
her aunt's mansion, Hobbes House, her optimism quickly vanishes though
when she meets her estranged and entitled sister Jennifer (Makenna Guyler)
at the reading of the will, and that she's accompanied by her money-hungry
boyfriend Nigel (Kevin Leslie) doesn't help very much either. Things
quickly get out of hands when auntie's lawyer (Jo Price) is gravely
injured in a freak accident and dies when Jane's car actually does break
down on the way to the hospital. And suddenly the caretaker of auntie's
mansion, Naser (Waleed Elgadi) gets all nervous and insists on getting
them back to the mansion before ... Back at the mansion, it's decided to
lock Naser away as he not only behaves odd, he might actually also have
killed auntie - and a bit of xenophobia plays into this as well as Naser's
originally from Syria. However, everybody quickly reverses their
preconceptions about Naser when auntie's lawyer comes back from the dead
to attack them and they're saved only thanks to Naser, who then tells them
about the family curse, that Hobbes House must never been sold or given
away because it's guarded by all those who've died here, and who roam the
premises every night. Of course, it is night right now, and the
safest place for our ragtag team would be anywere else but in the mansion,
really, but whatever they try to get away they fail, and eventually Naser
dies a hero's death saving the others while Nigel is revealed as the one
who has driven auntie to suicide. But however at odds Jane, Jennifer and
Nigel are, they have to stick together to make it out alive - if they even
can make it out alive ... The idea of merging the old
dark house with the zombie subgenre might not be new in the truest sense
of the word, but it feels very fresh in this film, basically because it
concentrates on telling a strong story with fleshed out characters and
character conflicts first, and really fits the undead theme onto
everything else rather nicely rather than just tag it on for added effect
or make it so central to the narrative that the actual story gets lost in
the process. And the direction goes along with that, staying focused on
the characters and choosing suspense and atmosphere over cheap shocks,
while the ensemble cast all give very solid performances to make this a
pretty awesome piece of horror cinema.
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