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Jay Jackson (Bart Edwards) is pretty much your disappointingly boring
everyman, a loving husband and father who has a good job and a nice house
in the suburbs - and suddenly he finds himself in a basement, chained to a
wall, as are three strangers to him, Adam (Richard Short), Kat (Alexandra
Evans) and more dead than alive Paul (Daniel Schutzmann), all just out of
reach from him and one another. Apparently they're held captive by a
masked brute (Robert Maaser) who takes pleasure in torturing them in the
most gruesome and bizarre ways, including having them swallow cockroaches,
cutting them up, nailing them to the wall and planting maggots in their
eyes. At first, thee's no rhyme or reason to this, and it seems their
captor is just a very sick sadist, but Jay is determined to make it out of
the basement alive, and when he has exhausted all physical escape routes,
he tries to solve the puzzle why the four of them are held captive here -
and soon finds out they're not strangers at all but as kids (played by
Oliver Cunliffe, Alexander Biehn, George Pilsworth, Maddy Bryan) were
friends for a summer as their parents vacationed on the same camp ground,
and a young boy called Dominic (Mitchell Norman) desparately tried to
become their friend as well - but the quartet decided to play tricks on
him and challenged him to one dare after the other, until they dared him
to enter a creepy farmhouse ... where he disappeared. Turns out he had
been taken captive by sadistic farmer Credence (Richard Brake) who
"raised" him after his own image, and now Dominic wants to have
his revenge on those who wronged him back when ... I might just
as well address the elephant in the room right away, yes this film has a
lot in common with Saw, both in terms
of premise and depiction of violence. But taken by its own terms, this is
a very tense thriller, and while it might be hard to stomach for some for
its occasional gruesomeness, it's also a pretty well-told, well-structured
flick, and one that not only keeps one guessing throughout, but also one
that in the third act blurs the lines between good and evil and presents
the audience with quite a few surprises that were actually built up from
early on. And a directorial effort that goes for more than just the
jugular as well as a solid cast make this a pretty good watch - though it
probably helps if you enjoy your horror with explicit violence on the
side.
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