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It's hard to imagine today when the film business has grown into a
multi-billion Dollar industry, and Warner
Brothers is a key player in the game, but in the early 1900s, the
company started out as a very modest family business, when brothers Harry,
Albert, Sam and Jack L. Warner, sons of Polish-Jewish immigrants, pawned
off the family horse to buy a movie projector to try their luck as
projectionists - apparently with some success as they soon started to
produce movies for their own business, expanded, and eventually created
their first in-house star, the dog Rin-Tin-Tin. However, in the silent
era, Warner
Brothers was little more than an also-ran among the studios -
until of course a company called Vitaphone developed a system to
synchronise sound (initially from a record player) and film. This
invention was generally snubbed by movie producers, all but the brothers
Warner, who were quick to produce a feature film starring by then already
established singer Al Jolson, The Jazz Singer, widely credited as
the first talkie, and it became a raving success - and one that finally
put Warner
Brothers on the map for good. Of the four brothers, Jack, the
youngest, was pretty much the face of the company, as he embodied
showmanship to the fullest, and it's said that the stars/protagonists of Warner
Brothers-movies were often stand-ins for himself, a wannabe movie
star. Now of course, on the surface, the company went from strength to
strength, the studio producing classics like The
Adventures of Robin Hood, Casablanca,
To Have and Have Not, House of
Wax, A Star is Born, Rebel Without a Cause, What
Ever Happened to Baby Jane? and one of the last hits of Jack L.'s
reign, the multiple Oscar winner My Fair Lady from 1964 - but on
the inside, things didn't look quite as rosey, as over the years, Jack L.
faced more and more opposition from his oldest and perhaps most
level-headed brother Harry, so that eventually Jack tricked his brothers
into a deal to sell their stock in the company in 1956, while he secretly
rebought his to gain sole control. However, while still producing
occasional hits for the big screen, Jack started to lose the ability to
read the signs of the time, as reflected in his total disregard for the TV
arm of the company, which by now had become the bread-and-butter winner
for the studio, and eventually, he too was tricked out of his stake in Warner
Brothers, with his efforts to make it as an independent producer
leading to nowhere ... An updated version of the 1993 documentary of the same name, Gregory Orr, grandson of Jack L. Warner no
less, has managed to make a movie that due to its subject matter is
steeped in nostalgia of course, but that at the same time manages to take
a very level-headed approach to things, show the shadows as well as the
light, and present a fascinating rounded out picture of a by-gone era, as
shown in movie clips, interviews and even the occasional home movie from
the family's archives, which ultimately culminates a movie that's sure to
sit well with any film fan out there.
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