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The suicide of her brother Dominick (Tony Gapastione) sent Charlene
(Allison Ewing), a moderately successful actress and fledgling writer
quite a bit over the edge, so much so that her husband, a psychotherapist
no less, has temporarily moved out of their house, taking the children
(Amina Attard, Ava Gulick) with him - which does of course little to
improve Charlene's rather unstable state. However, she tries to pack her
experiences and the whole story about her brother's death into a
screenplay which she tries to sell to producers - but generally her script
is seen as too dark, and rewrite after rewrite don't make it any brighter
- and of course, well-meant bad advice from anyone she knows does't make
things any better, and that in turn doesn't lift her spirits either. So
she pretty much tries to find herself between her Jesus-loving but
church-hating mother (Alley Mills), a fellow writer-actress (Maral
Milani), who seems to succeed in everything Charlene fails at due to her
good looks, her slightly dim but loyal friend Dino (Cameron James
Matthews), her pregnant sister-in-law (Kayla Robinson) who has designs on
Dino, her bossy but benign agent (Krystina Jackson) - and quite a few too
many weed-laced brownies ... A very unusual yet highly
worthwhile blend of drama and comedy that tries and succeeds in treating
some very serious topics - as in suicide and grief - with a certain
twinkle in the eye. That's all thanks first and foremost to a cleverly
written script that might not follow a traditional three-act structure too
strictly but consists of many a strong scene that feel to rather naturally
alternate between comedic and dramatic and that come across as very
organic and real. And a strong cast playing well fleshed-out characters
carries the film rather beautifully, making this a pretty awesome watch.
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