Trevor (Jon Briddell) finds Harrison (Jonathan Bennett), a total
stranger to him, sitting on the sidewalk, heartbroken ... and it doesn't
take him long to guess it was because of a woman. He gives him his card
and promises him a pep talk on how to win his power back from the woman
who has wronged him and women in general ... Three years later: Trevor
is running underground seminars on how to treat women - meaning how to
turn them into submissives, and like it even. The highlight of these
seminars usually is him showing how he abuses his girlfriend-of-sorts
Cheryl (Alia Raelynn), and how she still sticks to him no matter what,
even if he at times offers him to his students to fuck. Harrison has
meanwhile become his favourite protégé, and the guy who lures new
students to his seminars. He also totally believes in Trevor's misoginist
view of the world ... and yet he has a girlfriend, April (Danielle
Lozeau), a devout catholic who hasn't let him shag her in the three years
they've been together, not until their wedding night. Trevor is all for
this relationship, but only if Harrison promises to tear her open,
sexually, in their wedding night - and Harrison promises to do so, too ...
but slowly but surely doubts arise regarding Trevor's actual motives, the
actual root of his misogynism, and if behind all his (very evocative) big
words there is actually any truth - but by now it might already be too
late ... Misogynist, described by its director as
"the antidote to all the Fifty Shades of Grey-mania" -
which is very much true, it's about dominance and submission gone wrong,
about blunt sexism (if sugarcoated by a well-spoken character), and about
broken characters who don't look for romance in their relationships, just
about taking home a short term win - which is not only true in their
lovelife even, also in Trevor's seminars and the like. But all that said,
this is not a brain-heavy movie, but rather a well-structured little
thriller with some great setpieces and a finale that definitely comes
unexpected, but at the same time gives good closure to all character arcs
and even has some tongue-in-cheek quality to it (though I wonder if
anybody notices). And add to that solid performances and a subtle
directorial effort, and you get a pretty good movie, actually, and well
worth a look!
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