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A.I. (Adam Singer), Ammorama (Aeon Cruz) and Kadabra (Dalena Nguyen)
are a trio of cosplayers who rather pretentiously call themselves Monster
Force Zero - after a comicbook they have created themselves and want
to promote at a local comic con ... but that con's rather overflown by
cosplayers and comicbooks nobody's aware of, so their appearance fails to
impress. Actually the only ones they make any kind of impressions on are a
gang of cosplaying bullies calling themselves Destroyers of Destruction
(Heath C. Heine, Dmitri Raskes, Omid Harrison, Cali June) who challenge
them to a duel on the convention's coveted party floor - which is a big
deal, really, as this is a way to get noticed.
Now the duel's lorded over by Ann Unaki (Silvia Taziri), her second in
command Igigi (Sly Clayton), Furrious (Leon Welling) and the Janitor (Pat
Tanaka), who all seem to have a more sinister agenda than just staging a
competition for fun - and really, during the competition, where our heroes
are joined by a Yeti in boots (Shale Le Page), they all gain superpowers
matching those their characters have in their comicbook - and since they
manage to beat the Destroyers of Destruction, they're transported to
another planet and sent on a mission after learning about some dubious
intergalactic war that's apparently kicked off by one Doctor Eeche (Rachel
Darden) and who needs to be stopped at all cost. Thing is, she's guarded
by a Sasquatch (Greg Farinelli) and a dinosaur, and despite their fancy
name, Monster Force Zero might not be up for that challenge. On top of
that, who says they're even doing the right thing doing Ann Unaki's
bidding? ...
Taking quite a few cues from Galaxy Quest, Monster
Force Zero is actually a fun piece of lo-fi superhero cinema, one that
centers on the entertainment value of its story, doesn't lose itself in
too long-winded narrations or unnecessary subplots but seems to thoroughly
enjoy its at times nonsensical narration and without losing the story's
heart goes for comedy ever so often to keep things light - up to the point
where the film makes fun of its own low-fi approach. Now true, this film
might not be the re-invention of the wheel, but at the same time, you'd be
hard-pressed to not be entertained while watching it.
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