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Returning home from a trip to her native El Salvador, Sirena (Christine
Stoddard) finds the dead body of her husband, an apparent suicide - and
then the pandemic strikes, forcing her into lockdown without even properly
giving her husband a farewell. And that's where the problems only start,
as you see, Sirena runs a gallery that thrives from its walk-in clients,
something unheard of in times of the pandemic, plus the gallery has just
wrapped a show so there's not even much art left to sell - and yet, Sirena
has to pay for her husband's funeral. And for that she has to completely
re-invent herself, learning how to do e-commerce on one hand, and tap back
into her own artistic streak to actually create product to sell on the
other ...
There was a time when there were lockdown movies of all genres
a dime a dozen, and sure enough not all of them good - this one however
is, as it goes far beyond being just a series of video calls (though these
do feature in here as well) but has actual artistic ambition to it,
ambition that is mirrored in some powerful imagery, a focus on the
directors own art and its creation as well as interpretation, and of
course the film's theme as such. And an original yet relatable plot as
well as a engaging performance by Christine Stoddard in the film's center
see to it that Sirena's Gallery has turned out to be good yet
thoughtful entertainment for sure.
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