(re)Search my Trash

<body> <div align="left"> <table border="0" cellspacing="0" width="800" cellpadding="0" height="100%"> <tr> <td width="100" rowspan="3" background="../stylepix/square.gif" valign="top">  </td> <td width="4" rowspan="3"></td> <td width="592" height="1%" valign="top">  </td> <td width="4" rowspan="3"></td> <td width="100" rowspan="3" background="../stylepix/squareright.gif" valign="top">  </td> </tr> <tr> <td width="592" valign="top" height="99%">    <p>Together with his cameraman Robbie (Ray Rosales) and his soundgirl (and ex) Mya (Aja Pollock), documentary filmmaker Matt (Justin Henry) wants to make a movie about the porn industry ... which seems to be a doomed idea right from the start, basically because when talking to the porn stars, Matt seems to be nothing but drooling all over them, and he gets nothing out of them that hasn't been done a gazillion tomes before - even on the "behind the scenes"-sections on porn videos. Furthermore, it really pisses Mya off, especially since she and Matt just seemed to get together again.<p>Then though, Matt meets Alyssa (Marissa Joy Davis), your typical next-door-all-American girl from some small town in the middle of nowhere who just wants to audition for porn (she hasn't shot anything yet), and Matt is simply blown away by her perceived innocence, and against the wishes of his co-conspirators, he decides to make the movie exclusively about her and her descent (at least in his eyes), and he even uses up all of his film's budget to pay her (not only for the movie but also for a night together.<p>A week or so later, Alyssa has disappeared, Robbie and Mya have turned up dead, and Matt has been arrested for killing them. But as two policemen (Dominic Ross, Jose Rosete) question Matt and he tells them a tall tale about a snuff movie producer Alyssa has apparently fallen for, they piece together a truth much darker than anything Matt tries to sell them ...<p> <p>Part mock documentary, part police interrogation, this film is above everything a pretty clever whodunnit, inasmuch as it manages to always give the viewer just as much information as he implicitly needs and to leave him in the dark and guessing without actually lieing to him. A great deal of this also works so well due to the fact that all the characters (including the "victim" Alyssa and the two cops) are left ambivalent throughout, meaning next to nothing concerning the outcome is given away during the film's running time. And finally, the film exploits neither the sleaziness nor the violence of its basic subjects (porn and snuff) to their full extent, rather keeps its focus on the story and the characters - to great effect.<p>Recommended, actually! <p>  </td> </tr> <tr> <td width="592" valign="top" height="1%">  <SCRIPT LANGUAGE="JavaScript"> currentyear = "2012"; </SCRIPT> <SCRIPT language="JavaScript" src="../scripts/endcredits.js"></SCRIPT> <SCRIPT LANGUAGE="JavaScript"> dosworsdonn(); </SCRIPT> </td> </tr> </table> </div> </body>