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When Stuart Shostak got married to his longtime girlfriend Jeanine
Kasun, it felt a little bit like a celebration of yesteryear's (as in
1960s and 70s) television, what with many of the TV-stars, showrunners and
whatnot still alive in attendance. And it shouldn't be all that
surprising, as for years Stuart has run a wildly popular podcast, aptly
titles Stu's Show, inviting showbiz royalty every week, besides
being a passionate private archivist of TV programs of old. It all
started way way back though, when as a college kid Stuart, decided he
wanted to break into the entertainment industry - at first as a ticket
hawker, but eventually he was promoted to warm-up comedian. A decisive
moment in his life came when he made the acquaintance of Lucille Ball,
whom he'd been a fan of since her I Love Lucy days, and
became her personal film archivist, as well as working on her short-lived
series Life with Lucy in the 1980s, where he even appeared
on camera in one episode. Lucille Ball died in 1989 but remained a strong
influence on Stuart's life nevertheless, as he started organizing
Lucy-conventions - where he eventually met Jeanine Kasun, a massive Lucy
fan herself. Now it stands to argue whether the predilection for a certain
TV series is the best foundation for a long relationship as a rule, but it
certainly was in Stuart and Jeanine's case as when she became gravely ill
and was given up by pretty much everyone, he fought for her and with her,
and their "showbiz" wedding that started the movie was really
only the happy ending of all they've been going through together ... Of
course, it helps to be a fan of vintage television to enjoy Stu's Show
- but while this is of course the framing of the movie and really Stuart
Shotak's life as such, the film is about more than just that, isn't just a
blind celebration of yesteryear's show business but veers from
anecdote-filled picaresque of Stuart's early days into downright drama
when it comes to Jeanine's illness and his handling of the situation, to
end on a high note that realy finds the movie's way back to its TV
theme rather effortlessly - so whether or not any of the series quoted in
the movie or the names Lucille Ball, Edward Asner, Butch Patrick and
whoever else mean anything much to you, this is just a well-told
documentary with a not only for the genre strong narrative arc, and a good
sense for storytelling. And the result is, quite unsurprisingly, a very
enjoyable watch.
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