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For 400 years, humankind has been living underground as alien robots
have taken over the surface. Since the aliens are far advanced,
technologically, they've only seen humans as a nuisance so far, not an
actual threat, and it's only been recent that they've started moving in on
human targets - which isn't quite good of course, as the humans are in the
process of developing technology to defeat their alien oppressors but are
nowhere near finished. Basically, the idea is to implant a virus into one
of the robotic aliens, but that means taking one captive first, and
there's nobody who can do this ... except one, Warren Mitchell (Matthew
Wolf), but he's been cryogenically frozen for treason, and it's supposed
to stay that way for another 100 years. But in this time of needs, General
Van Ryberg (Eliza Swenson), decides to have him - and his
second-in-command Itchy (Griff Furst) - unfrozen, even if Mitchell did
have an affair with her wife (Amy Weber). Mitchell is a man known for
doing nothing by the book, so he gathers a gang of misfits around himself
to go to the surface and to the job - and they do the job and bring back
an alien robot ... and this is where problems only begin, as not only does
the alien die before it can be infected with the virus, it also has some
beacon for all the other robots to home in on and finally get rid of that
human nuisance ... Ok, the title makes it plain obvious what
then contemporary movie this one tries to cash in on - like Transformers
itself cashed in on a 1980s kiddie TV show -, but other than that and a
few decently but not super-convincingly done CGI robots, this film stays
remarkably (and thankfully) clear from just copying the formula, instead
tells a quite different story - that might not be 100% original, mind you,
as it uses tons of B-movie clichées, but it does so in an engaging way
and makes a valid attempt at world-building away from flashy computer
effects, and with quite some success, too, the human drama in this film
really works. Where the film falls a little apart though is in its action
sequences, and it's not so much that the robots fail to wow, but somehow
these scenes lack cohesiveness and immediacy, sometimes it really feels
they're edited together at random - which of course might be due to a
hasty finishing job to beat Transformers to the punch (by about a
month, give or take). Kind of a pity, really, this could have been much
better with a bit of extra care.
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