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<body> <SCRIPT language=JavaScript type=text/JavaScript>  </SCRIPT> <div align="left"> <table border="0" cellspacing="0" width="800" cellpadding="0" height="100%"> <tr> <td width="100" rowspan="3" background="../stylepix/square.gif" valign="top">  </td> <td width="4" rowspan="3"></td> <td width="592" height="1%" valign="top">  </td> <td width="4" rowspan="3"></td> <td width="100" rowspan="3" background="../stylepix/squareright.gif" valign="top">  </td> </tr> <tr> <td width="592" valign="top" height="99%">    <p>A masked maniac is going around town killing women and raping them (in that order), and all police inspector Kemal has to go on are the first letters of the dead women always matching the first letters of the districts they were killed in - as if the killoer was trying to send a message via his murders. However, the police is running suspiciously low on suspects, all they have to go on are the dead girls' boyfriends, each of whom has a motive and none has an alibi - but only for the killing of his respective girlfriend ...<p>While investigating, Kemal has met and fallen in love with Oya, the widowed sister-in-law of Kenan, the boyfriend of the first murdered girl, and they soon start dating. Oya has been adopted by Kenan's mother after the death of her parents and later married Kenan's brother, who three years ago died in an accident. Only now that she has come over her loss thanks to Kemal does Kenan confess his love to her though.<p>To bring some light into the affair, Kemal decides to round up all the suspects (this being the dead girls' boyfriends and a pererted peeping tom) and see if the killer strikes again, so as to see if the culprit is among the suspects. But wouldn't you know it, the killer really does strike again, which relieves them all of suspicion, including Kenan. Back home though, Kenan, learning that Oya wants to move out and live with Kemal, he turns violent towards her ... and all of a sudden, she finds herself pursued by the masked killer ... <p>Click here to open the <a href="javascript:openBrWindow('../movies/popup/womandespiser(1967).htm','bildgross','width=610,height=500,top=150,left=150')"><b>Spoiler Pop-up</b></a>! <p> <p>Rather stylish serialkiller-thriller that looks and plays remarkably like an Italian <i>giallo</i> - but what's remarkable about <i>that</i> is that in 1967, the giallo-genre itself was still in its infancy, which makes <b>Woman Despiser</b> a genre pioneer rather than just another attempt to tag along a popular genre. The movie though is not only interesting from a film-historical point of view but also on its own terms, as it is an atmospheric and creepy piece of genre cinema that might feature a few too unlikely plottwists and might give away the culprit much sooner than it ought to, but it's still an entertaining little movie that's definitely worth watching. <p>  <p>After having spent an eternity virtually unknown to movie-lovers in the West, this film has been made available to the film-loving public (in a limited edition) by the good folks from <i> <a href="../research/resultperslinks.shtml?Onar Films">Onar Films</a> </i>.</p> <p>Besides the movie with English or Greek subtitles and the obligatory biographies, filmographies, photo gallery and trailers, their DVD also includes a movie poster <i>and</i> a documentary on <i>Turkish Science Fiction Movies</i>. To put it short: This DVD's a must-have!</p> <p><i>[<a href="http://www.onarfilms.com/index.php?mod=descr&id_desc=12&id=2" target="_blank">Click here to buy it directly from <b>Onar Films</b></a>]</i></p> <p>  </td> </tr> <tr> <td width="592" valign="top" height="1%">  <SCRIPT LANGUAGE="JavaScript"> currentyear = "2009"; </SCRIPT> <SCRIPT language="JavaScript" src="../scripts/endcredits.js"></SCRIPT> <SCRIPT LANGUAGE="JavaScript"> dosworsdonn(); </SCRIPT> </td> </tr> </table> </div> </body>