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Your new movie Waltz - in a
few words, what's it about, and what can you tell us about your character in
it? In
Waltz, Hannah Keeley plays Alice, a British
ex-patriot copywriter who finds herself out of work after one too many
late assignments. Facing the possibility of having to return home to the
UK (and her overbearing mother), she decides that the only way to keep
herself afloat is to join “Biggest Fan”, a titillating cam-girl web site.
She approaches her photographer friend Calvin (me) to help her set up her
profile and get the ball rolling. While Alice is initially successful, her
provocative photos draw the attention of one obsessed fan who kidnaps and
physically and psychologically torments her for her multiple perceived
“sins”. Calvin is your average Joe who cares for Alice deeply (more than
she even realizes) and tries to be a voice of reason in her life.
What did you draw upon to bring your character to
life, and how much David Dietz can we find in Calvin?
I like to joke that Calvin and I are nothing alike because I’ve always been so
successful with the ladies! But the truth of the matter is that I think
every man who’s ever been infatuated with a woman who doesn’t return that
affection can relate to Calvin’s arc in
Waltz. There’s one
devastating scene in the movie where Calvin confesses his feelings for
Alice and she laughs with amusement. I can honestly say that I’ve been
there/done that. Not with laughter, exactly, but moments like that leave a
mark on you. How did you get involved with the project in the first place, what drew you to it?
The usual way: I was scrolling through Facebook and found the audition notice. I
submitted my materials not really thinking that I was right for Calvin
because the character description outlined a younger man. I thought that
perhaps I would be considered for Alice’s boss, but director Joshua D.
Maley [Joshua D. Maley
interview - click here] surprised me when
he asked me to read for Calvin. I knew I wanted to be part of the project
after reading the audition scene (which was an early version of the scene
between Calvin and Alice in the bar when she asks him if he thinks she’s
pretty). It was one of the best written sides I’d ever read, and I figured
if that scene was any indication of the kind of film that
Waltz was
going to be, I knew that I wanted to be in it.
To what extent could you identify
with Waltz's approach
to the horror genre?
Well, I said above, unlike some other low budget horror stuff out there that
relies on a lot of blood, gore and boobies (not that there’s anything
wrong with any of those things!),
Waltz is more of character-driven psychological thriller that relies on slowly building up
its world and its players so that the audience becomes highly invested in
them and grows to care about them and their situations before it suddenly
pulls the rug out from under them. I really like that it’s a slow burn,
much like the original Alien movie is.
What can you tell us about
Waltz's director Joshua D. Maley, and what was your
collaboration like?
Josh and I hit off almost immediately because we’ve had similar experiences when it
comes to our misadventures with the opposite sex (we’re both Calvin in a
way), being professional copy writers (like Alice) and our appreciation
of “nerdy” things. While Josh is more of a Dungeons and Dragons
gamer than I am, we bonded over our mutual love of
Star Trek and
Doctor Who. So needless to say, I think we trusted each other
implicitly in our on-set jobs. I don’t remember him giving me too many
notes after a take; so I guess he liked what I was doing, and I
definitely loved what he was doing. Before my first day, I watched 316,
one of Josh’s shorts, and it gave me an idea of the quality production
that
Waltz would be.
Do talk about the shoot as
such, and the on-set atmosphere!
I wasn’t on set as many days as Hannah Keeley and Hattie Baier were. But on the days
I was there, I noticed that everyone in the cast and crew was genuinely
excited to be there, despite some long overnight shoots. I think we all
knew we were working on something that really had the potential to be
special. A lot of actors will say that the crew was like a family; but in
this case it’s literally true because the
Waltz crew was made up
Josh’s family members. And even though Hannah, Hattie and I aren’t
biologically part of Josh’s family, we were fully embraced as if we were
long-lost cousins reunited with them!
Any future
projects you'd like to share?
Well, Josh must have really like what I did on
Waltz, because he cast me in a
cameo role in his next film Dead Friends Forever. And that cameo
role grew into more of an important supporting character as the film
expanded from a short to a feature. It’s in post-production now and should
be released later this year (but don’t quote me on that)! I’m also
featured in the crime drama Don’t (now streaming), the horror
musical I:Scream (thankfully, I don’t sing in it!) and will be
shooting a faith-based comedy called Sunny Sixteen this summer. So,
I dip my toes in multiple genres!
Your website, social
media, whatever else?
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Feeling lucky? Want to search any of my partnershops yourself for more, better results? (commissions earned) |
The links below will take you just there!!!
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Find my info at http://dietzthethird.com.
I don’t have a huge social media footprint but you can find me on Facebook
(https://www.facebook.com/actordaviddietz,
https://www.facebook.com/david.dietz3),
LinkedIn (https://www.linkedin.com/in/dietzthethird)
and YouTube (https://www.youtube.com/zdiet3).
Anything else
you're dying to mention and I have merely forgotten to ask?
I would be remiss if I didn’t mention that without the love and support of my own
family (my wife Megan and son Connor), I wouldn’t be able to do what I do!
Thanks for the interview!
Thanks for thinking that I’m worth interviewing!
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