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An Interview with Eric E. Poe, Director of Gracie

by Mike Haberfelner

February 2026

Films directed by Eric E. Poe on (re)Search my Trash

 

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Your new movie Gracie - in a few words, what's it about?

 

Gracie is really about Vincent and his struggle to be normal. His homicidal sister Gracie is a major hinderance to Vincent's normalcy.

 

What were your sources of inspiration when writing Gracie, and is any of it based on personal experiences (not the homicidal sister I hope)?

 

My first thought of Gracie was when I saw a print for a girl's room in a thrift store. It was supposed to be cute, but it seemed a little creepy to me. The painting in the movie was inspired by that print.

 

Additionally, I realized after writing it that much of the characters' behaviors in the film were similar to themes of youth: bullying, tattling, trying to be first. I think those things initially came through subconsciously.

 

Do talk about your movie's approach to horror, and is that a genre at all dear to you?

 

The horror element in Gracie is mostly the relentless killings. I chose not to focus as much on gore or jump scares, but to delve into the psychological elements of the characters instead. Particularly, I wanted to explore the relationship between Vincent and Gracie and its effect on Vincent's outside life.

 

I do enjoy the horror genre, and many of its subgenres. My horror viewing tastes range from slashers to creature features to psychological horror to horror-comedy to sci-fi and others. I particularly enjoy independent horror films, and the variety and creativeness they bring.

 

At least to me, Gracie's at times also darkly humourous - would you at all agree, and if so, do talk about your movie's brand of comedy for a bit!

 

I have discovered that my natural writing style tends toward dark humor. I leaned into that in Gracie. Some of it was more blatant, like the interactions between Jack and Chase, and Gracie's childishness. Other parts were more subtle.

 

A few words about your directorial approach to your story at hand?

 

I tried to develop the characters on the page as much as I could, then trusted the chosen actors to bring them to life. I attribute much of the look of the film to my cinematographer, Dan Beack, who was also my co-writer and co-producer.

 

What can you tell us about Gracie's cast, and why exactly these people?

 

Most of the cast were local to the Augusta, Georgia, area. My co-producer and I discussed who would do well in the various roles. Several actors jumped out as people we wanted to work with: Shatareia Stokes, John Devlin, and Mary Troutman.

 

Tommy Cooper, who played Vincent, was someone we were eager to have in our film. His film experience was minimal, but we have seen him numerous times on stage. He is very good.

 

Finally, Erin Brown [Erin Brown bio - click here] was an actress both Dan and I liked and wanted to work with. From the time of her days as Misty Mundae through her later career as Erin Brown, she had developed an amazing acting style, confidence and screen presence. Once we discussed her playing Gracie, it became obvious it was the right choice. She proved it when she came to set.

 

Do talk about the shoot as such, and the on-set atmosphere!

 

We shot over the course of several months, mostly on weekends. It was a long commitment, and occassionally stressful, but mostly we tried to keep it light-hearted. Everyone was pretty excited to be making a feature film, and most of us were fairly new to the process. That helped to keep things fun.

 

The $64-question of course, where can Gracie be seen?

 

At the moment, Gracie has not been released. We expect to have a few showings in some festivals in the near future. When we get a distribution to streaming services or perhaps even a release on physical media I will let you know.

 

Anything you can tell us about audience and critical reception of your movie?

 

We have had several reviews at this point, mostly very positive. I am excited to see an audience reaction to Gracie.

 

Any future projects you'd like to share?

 

I have directed a short segment that is meant to be a part of an upcoming slasher anthology. I also have several scripts in the works.

 

What got you into the filmworld in the first place, and did you receive any formal education on the subject?

 

My love for film and television goes back to my childhood. Honestly though, the thought of making my own film did not come about until after I retired from military service. As I was between jobs I was looking for something to occupy my time. I found a group of like-minded film enthusiasts, and the rest, as they say, is history.

 

Going through your filmography, you've worked on films in many jobs and seem to be as comfortable in front of the camera as behind it - so do talk about your versatility a bit, and which side of the camera do you actually prefer, and why?

 

The bulk of my film experience has been been acting, and I do enjoy that. I still do it when I can. Arguably, my favorite job is writing. There is nothing better for me than coming up with an idea, developing it, thinking about it, filling in the missing pieces, figuring out motivations, etc. I also enjoy co-writing with others. I think two sets of eyes are better than one.

 

What can you tell us about your filmwork prior to Gracie, in whatever position?

 

The first time I directed was a short strange film I wrote called Incubation Period. It was a story based on my friends' feature anthology Arte Factum. I learned a lot on that, as well as on my second short film I Heart Valentines.

 

How would you describe yourself as a director?

 

I feel like generally I am laid back and try to be inclusive. I do not enjoy being dictatorial. I want an atmosphere where everyone feels like they have had a hand in what we have made.

 

Filmmakers who inspire you?

 

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Big time filmmakers would include Alfred Hitchcock, Roger Corman [Roger Corman bio - click here], Dario Argento and John Carpenter. Indie film-makers consist of Herschell Gordon Lewis [Herschell Gordon Lewis bio - click here], Gary Whitson [Gary Whitson interview - click here], Donald Farmer, the Polonia Brothers and others.

 

Your favourite movies?

 

Almost everything Hitchcock, An American Werewolf in London, John Carpenter's The Thing, The Bird with the Crystal Plumage, Halloween and others.

 

... and of course, films you really deplored?

 

I do not think I deplore any movie. Certainly, there have been films I watched that I did not enjoy, but they usually appeal to someone else. So I try not to exclude anything.

 

Your/your movie's website, social media, whatever else?

 

Keep your eye on my IMDb page. It is under "Eric E. Poe". It is also worth watching the Wages of Cine YouTube page. We have lots of original content on there, including some of our short films, skits, reviews and interviews.

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

I do not have anything to add in particular at the moment. Thank you for asking me for this interview.

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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