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An Interview with Joy Hopwood, Director of It's Our Time

by Mike Haberfelner

April 2025

Films directed by Joy Hopwood on (re)Search my Trash

 

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Your new movie It's Our Time - in a few words, what's it about?

 

It's Our Time is about a filmmaker, Emilia Kong, who is about to get evicted by her landlord, and the only way she feels that she can get some money is to apply for funding for her script  However, the funding officer, Shannon Edmunds, rejects her application and he falls for her best friend, Zoe Chadwick.

 

Since It's Our Time lead character Emilia is a filmmaker like yourself, is the film in any way on your own journey and experiences, and to what degree do you actually identify with Emilia?

 

Yes, the character Emilia Kong is loosely based on my life story as a filmmaker. I would say the film is 40% true to my life story, however my close friend/s didn't fall for the funding officer. The flashback sequences particularly reflect my childhood experiences.

 

(Other) sources of inspiration when writing It's Our Time?

 

Some other sources of inspiration are Nancy Meyers and Nora Ephron films, as I was a big fan of their work when growing up. I wanted to be a filmmaker like them, but one who champions diversity. I believe I have achieved that in all of my past films - The Gift that Gives, Get a Life alright, Rhapsody of Love, The Script of Life.

 

You just have to talk about that rather hilarious film-within-the-film in It's Our Time, and is this based on an idea you've ever developed in more detail?

 

I have developed this idea more in my next film, Her Last Laugh, which we will be filming in January 2026. I was inspired by that idea when I watched Tootsie, when Dustin Hoffman got cast as a female in a soapie. I have always thought that idea was very clever.

 

What can you tell us about your overall directorial approach to your story at hand?

 

Like all my films, I write a film based on my life story. As part of the process, I allow actors to paraphrase and sometimes ad-lib to their dialogue. I like to give actors that freedom, being in the moment; exploring their creative instincts.

 

You also appear in front of the camera in It's Our Time - so what can you tell us about your character, what did you draw upon to bring her to life, and have you written her with yourself in mind from the get-go?

 

I remember the first day of primary school when I was watching basketball where a group of year 6 boys were playing and their ball rolled out of the court. At that moment I wanted to help them, so I ran straight over to pick up the ball and threw it back too them, feeling proud of myself, as I wanted to make friends with them and hoping they’d ask me to play with them. Instead, one boy yelled back, “Hands off my basketball you ugly Jap!” That moment stuck with me and I wanted to relive that moment, by bringing it back in my movie. So I wrote myself a small cameo, pretending that I was face to face with that bully again. Khan Chittenden played that character perfectly well in my film. I found that moment empowering and therapeutic at the same time.

 

Do talk about the rest of It's Our Time's cast, and why exactly these people?

 

I cast Tiana Hogben [Tiana Hogben interview - click here] as the lead as I have been watching her in the Aussie TV show Thank God You are Here, which is like a live improvisation of skits, and she is part of the ensemble cast. I was watching her for a few months and she never broke out laughing in her skits and was very in the moment and focused. So I asked her to audition for the lead, and she did a wonderful audition. I also had been watching Peter Thurnwald in XO Kitty on Netflix and loved his acting in that series, and I auditioned Bianca Bradey for the lead for my previous film The Gift That Gives, but thought that role didn’t suit her but loved her performance, so I remembered her and asked her back to audition for my next film, It's Our Time. Other actors like Susan Ling Young (The Office - Australia), the late Lex Marinos (Kingswood Country) and Maria Tran (Echo 8) were all from my previous film, The Gift that Gives, and I gave them different parts as I felt they suited the roles. The cast didn’t know this film was based on my real life. It wasn’t until we had the Q&A at our Australian premiere in Sydney when I revealed that this is the most personal film I’ve ever made. I think they were quite surprised. Only Khan Chittenden knew that his scene was a flashback in my life. I had him play that character as a chilled, egotistical, ignorant guy who had a swagger just like that year 6 bully. He did a brilliant job. He also starred in one of my previous films, Rhapsody of Love.

 

A few words about the shoot as such, and the on-set atmosphere?

 

Like all my films, this film was shot in 8 and a half days, as that’s all the budget I had.

I have only applied for funding from funding bodies twice in my life and was unsuccessful, so I have to rely 50% of the budget on my acting work, TV commercials in particular, and sponsors and investors.

 

The shoot was well planned. I give notes to the actors beforehand. We had 10 hour days for the 8.5 days shoot, and I don’t go overtime - as I don’t have the extra funding to do so. I like giving actors the freedom to play and the opportunity to paraphrase with the script as I don’t believe it has to be word-perfect as that’s added pressure that they don’t need. I believe in being the moment, listening to each other and working as part of a team and being positive and kind to each other on set.

 

Anything you can tell us about audience and critical reception of It's Our Time yet?

 

It's Our Time was well received in Sydney and Melbourne for our theatrical release, and we had a world premiere at the International New York Film Festival where it was first accepted as a finalist. We’ve had great reviews in the US.thus far and it currently has a 9.4 rating on IMDb too.

 

Any future projects you'd like to share?

 

We’re currently in pre-production for our 6th rom-com, Her Last Laugh, with my co-producer Erica Long. We plan to film in January 2026. It’s about two sisters who inherit their mother’s casting agency, but in the will it has a clause, “if the business isn’t in profit after a year, it will go to their uncle,” who they despise. I plan to bring back Tiana Hogben as one of the sisters.

 

You've started out your film career as an actress - so what got you into acting, and did you receive any formal training on the subject?

 

Yes I had my lucky break in the late 90s as a presenter in a children’s show, Play School (A.B.C. TV). At that time I had guest appearances in TV shows as a doctor or nurse in G.P, Home and Away, A Country Practice, Good News Week and so on, but there was very little diverse representation on screen at that time, so I started my own production company, Joy House Productions, to write/direct/produce feature films, and the annual Joy House Film Festival (short films with the main theme of joy and sub-theme of diversity), now in its 11th year. Thanks to the success of films like Crazy Rich Asians and The Joy Luck Club, they are proof that Asians on screen can command box office success.

 

I hope to continue making diverse films and hope to collaborate with bigger production companies like Reese Witherspoon’s Hello Sunshine, Drew Barrymore’s Flower Films, Nicole Kidman’s Blossom Films or Jennifer Garner’s Vandalia Films, and get a 3 picture deal with a streamer like Netflix. That would be a lifetime goal of mine. I find it easy to write stories, and I can produce them on deadline.

 

I attended Edith Cowan University and received a bachelor of arts degree with a major in Drama, and later a certificate in Creative Writing. Creative Writing was one of my favourite subjects at school which I did rather well in. I loved reading my stories out loud and listening to my classmates laugh. Thanks to this subject, (and subjects like debating, acting and sports, where I excelled) I gained respect from my peers and was never bullied again after that first day at school experience.

 

What made you branch out into writing and directing eventually, and which side of the camera do you actually prefer?

 

Due to the lack of diversity in the film and TV landscape, I started up my own production company, Joy House Productions, to make diverse films, and my own film festival, Joy House Film Festival, as a platform for emerging filmmakers for their work to be embraced. I do enjoy writing and directing equally.

 

How would you describe yourself as an actress, and how as a director?

 

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As an actress, I like truthful performances which rely on listening and working off other actors in the scene. This is how I like to direct too, making sure the actors are listening and thinking, being in the moment of the scene too. I love authentic, truthful performances rather than “caricature” performances.

 

Filmmakers, actresses, whoever else who inspire you?

 

I love romantic comedies. My favorites include: Jennifer Garner (13 Going on 30), Drew Barrymore (Music and Lyrics), Reese Witherspoon (Your Place or Mine, Just Like Heaven) and Nicole Kidman (Lion, Bombshell, Moulin Rouge).

 

Your favourite movies?

 

My favourite movies of all time: When Harry Met Sally, You’ve Got Mail, E.T.

 

Your/your movie's website, social media, whatever else?

 

My website is www.joy.net.au

Instagram: joyhouseproductions

Facebook: https://www.facebook.com/joyhouseproductions/

Youtube: joyhopwood 

Tiktok: https://www.tiktok.com/@joyhouseproductions

Blogs: https://joyhouseproductions.wordpress.com/  and https://medium.com/@joyhopwood

Pinterest: https://au.pinterest.com/thejoyhouse/

Twitter: https://x.com/JoyHopwood

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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