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An Interview with Leigh Barwell, Co-Writer and Star of Bet Dead Casino

by Mike Haberfelner

February 2026

Leigh Barwell on (re)Search my Trash

 

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Your new movie Bet Dead Casino - in a few words, what's it about?

 

Bet Dead Casino is a gritty indie action thriller about a ruthless villain called Slick Vic, who runs a dark-web fight-to-the-death gambling ring. After her father is killed, Rose is dragged into his violent world and forced to survive it, while her fiancé is captured and made to fight. With tracking chips in their necks and no easy way out, it becomes a brutal fight for survival.

 

Now how did the project fall together in the first place?

 

It all came together during lockdown, when everything else in the world had basically come to a standstill. Instead of just sitting around feeling frustrated, we all decided to use that strange time to do what we love and actually create something. There were a few changes along the way with people who were originally involved, so the story evolved as we went, but that was all part of the process.

 

A big thing that shaped Bet Dead Casino was the fact that we already had some great fight choreography filmed and we really didn’t want that to go to waste. Lockdown also gave us these really unique locations – empty city streets in Bangkok and wide-open countryside in England – so we used what was around us. It became a case of being creative with what we had, making the most of a difficult situation, and turning that energy into a film.

 

What were your sources of inspiration when writing Bet Dead Casino?

 

A big part of the inspiration came from the fact that we already had some really strong fight scenes filmed, so we needed to build a story around what we had. That actually became quite freeing creatively, because it pushed us to think differently and be bold with it.

 

We knew the kind of films and styles we love – gritty, a bit grindhouse, edgy, dark, and unapologetically mean at times – so we went for that. At the same time, we didn’t want to take ourselves too seriously. There’s a slightly tongue-in-cheek edge to it and bits of dark humour in there too, which is very much part of our taste. It was about creating something raw and punchy, using what we had available, and having a bit of fun with the tone while still keeping it intense.

 

Do talk about your co-writers Brent Zillwood and Taffy Edwards, and what was the writing process like?

 

Brent and Taffy are both incredibly talented and full of great ideas, so it was genuinely a pleasure going back and forth with them. The whole process was really collaborative – lots of messages flying around, regular online face-to-face chats, throwing ideas into the mix, reshaping scenes, and building the story together. For me personally, it was a huge learning curve and a great insight into how meticulous you have to be when developing a project properly. It taught me a lot about the writing process and what it really takes to bring something like this to life.

 

What were the challenges of bringing Bet Dead Casino to the screen from a producer's point of view, especially given the movie was shot during Covid lockdowns?

 

Honestly, there were challenges from day one. Shooting during lockdown meant things were constantly changing, and a lot of it was about learning to roll with the punches and adapt as we went. That’s a huge part of filmmaking anyway, but Covid definitely turned the difficulty level up. There were delays, uncertainty around dates, and lots of moving parts that made planning really tricky.

 

One of the biggest challenges was sound – we had some real issues along the way, and the soundscape ended up being reworked more than once, but the team did an amazing job in the end. We were also working with a small budget, limited freedom of movement, and the usual indie film chaos – things breaking, getting lost, plans changing, people becoming unavailable.

 

It was tough at times, but it was also a massive learning curve. Looking back, you realise how much you’ve grown because what felt impossible at the start becomes second nature by the end. Against the odds, we pulled it together, and I’m really proud that the film made it to the screen.

 

You also play one of the leads in Bet Dead Casino - so do talk about your character, what did you draw upon to bring her to life, and did you write Rose with yourself in mind from the get-go?

 

With Rose, I really approached it from a very honest, personal place – thinking, “How would I feel if I were thrown into this situation?” We were in lockdown at the time, and like so many people I’d been through a really intense period emotionally. There was a lot going on in my personal life, people I love were dealing with difficult things, and I’d just come out of a pretty heavy situation myself. So I drew on that when playing Rose, because she’s suddenly hit with loss, fear and trauma, and then forced to find strength in a situation she never chose to be in. Without giving too much away, she’s someone who’s pushed to her limits and has to fight to survive, and that felt very real to tap into.

 

Did I write Rose with myself in mind? Not consciously at first, but as the story developed, it naturally became a character I could connect to on a very personal level, which helped me bring something honest to the performance.

 

Jenny Carnage, on the other hand, was pure character fun. I love getting into big, bold characters, and I’ve done a lot of stage and performance work over the years, so once the costume and especially the mask went on, I was straight in there. She’s larger-than-life, darkly playful, a bit tongue-in-cheek but also genuinely menacing. It was a chance to lean into something eccentric and theatrical, which I really enjoyed.

 

What can you tell us about your dollaboration with you director Taffy Edwards when filming Bet Dead Casino?

 

Working with Taffy was honestly a really great experience. He’s incredibly creative and has a strong vision for what he wants, but at the same time he’s very open to ideas and input from the people around him. That combination makes you feel really involved in the process rather than just being told what to do.

 

He’s also got a brilliant eye for detail, but he keeps the atmosphere on set really relaxed, friendly, and down-to-earth. It genuinely felt like working with a little family, which makes such a difference when you’re in intense or challenging filming conditions.

 

The $64-question, where can Bet Dead Casino be seen?

 

At the moment, Bet Dead Casino is streaming on Tubi, which is brilliant because it reaches such a huge audience all over the world and it’s free to watch. It’s also available on Fawesome and it be coming to more streaming platforms soon, so people in different regions can find it in different places. It’s really nice to know the film is out there and accessible to audiences globally.

 

Anything you can tell us about audience and critical reception of Bet Dead Casino?

 

We’ve actually had really lovely feedback so far, which has been so encouraging. A lot of people have said they enjoyed it as a fast-paced, punchy little rollercoaster of a film. It’s not meant to be taken too seriously, and I think audiences get that once they’re watching it – it’s just a fun, gritty action thriller with good momentum.

 

People have been really positive about the fight scenes, the soundtrack, and the performances, which is great to hear because so much love and hard work went into all of that. The reviews and ratings have been really decent too, and honestly, we’re just really happy that it’s out there in the world and people are enjoying it for what it is – a cool, energetic indie action film.

 

Any future projects you'd like to share?

 

Yes, I’ve just been confirmed for a lead role in an upcoming horror thriller that’ll be filming later this year in England, which I’m really excited about. It’s a very intense, emotional, and dramatic role, so I’ve already started preparing for it. I’m also really chuffed about the cast they’ve confirmed so far – there are some brilliant people involved, and it feels like it’s going to be a really special project to be part of. It’s a tough, hard-hitting story and I’m excited to get stuck into playing such a central character. The film is aiming for a release in 2027, so watch this space.

 

What got you into acting in the first place, and did you receive any formal training on the subject?

 

I’ve loved performing for as long as I can remember. It started with me dancing around the living room as a little kid, which then turned into regular dance training, and eventually led me to take a full-time performing arts course in Cambridge at Glisson Road Studios. From there, I went on to train with acting coach Jack Walter in both London and New York, which was an amazing experience.

 

I’ve always loved becoming a character and stepping into different worlds. Performance has been a constant in my life, and it’s something that’s really helped carry me through tough times as well as the good ones. I spent many years working in stage performance, and now I’m getting more opportunities in TV and film, which I feel incredibly grateful for.

 

What can you tell us about your filmwork prior to Bet Dead Casino?

 

I’ve been involved in film and TV work for quite a long time, although in the earlier years it was more sporadic because I was mostly focused on dance and stage performance. Film projects would come in between tours and shows, so it was always something I loved alongside performing live.

 

Over the years, I’ve worked on a real mix of productions, from bigger projects like The Prince and Me and Shanghai – where I also worked with John Cusack – to Bollywood films and indie projects like United Six and various short films. I was also flown out to Penang, Malaysia, to work on the TV series The Singapore Grip alongside Charles Dance and other well-known names. More recently, I’ve worked on projects such as English Dogs in Bangkok with Byron Gibson and Intercept with Michael Paré [Michael Paré ubtervuew - click here].

 

How would you describe yourself as an actress, and some of your techniques to bring your characters to life?

 

I don’t know that I’d put myself in a neat box as an actress, other than to say I’m very passionate about what I do and I’m always learning. I try to stay open, like a sponge, and take in everything around me. A big part of my process is staying relaxed, really listening to the people I’m working with, and being fully present in the moment.

 

One of the nicest things about getting a bit older is that I’ve been able to let go of a lot of my inhibitions. I spent years training and learning techniques, which was invaluable, but now I feel freer to just trust myself, take risks, and really go for it. That freedom has been a bit of a gift and has definitely helped my acting.

In terms of practical techniques, music is a huge help for me in finding the emotional tone of a character, and I often draw on my own life experiences to ground things emotionally. I also believe in knowing your lines inside out. Once that’s second nature, you’re free to be present, to react truthfully, and to let real impulses and emotions come through in the moment – just like in dance, when the routine is in your body and you can finally perform without thinking about the steps.

 

Actresses (and indeed actors) who inspire you?

 

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There are so many people I admire, it’s hard to narrow it down, but a few that really stand out for me are Helena Bonham Carter, Olivia Colman, Kate Winslet, Nicole Kidman, and Aimee Lou Wood. I love how fearless and versatile they all are, and how human and real their performances feel. Aimee Lou Wood in particular has this brilliant warmth and humour that’s so natural and disarming.

 

Your favourite movies?

 

It really depends on my mood, but I have a big soft spot for the 80s and 90s films I grew up with. There’s something really comforting and magical about movies like Back to the Future and Indiana Jones, I have very fond memories of watching these kinds of films with my dad, especially the ones with a bit of adventure or fantasy to them – they’re such great escapism and always take you somewhere else, which I love. Recently, I’ve been a bit obsessed with Coralie Fargeat’s work – Revenge and The Substance really blew me away.

 

Your/your movie's website, social media, whatever else?

 

Link to Tubi to watch for free: https://link.tubi.tv/h5aJnGcMa0b

Bet Dead Casino Instagram: https://www.instagram.com/betdeadcasino

Bet Dead Casino Facebook: https://www.facebook.com/share/17ZHuzfBgV/

Leigh Barwell Actress Instagram: https://www.instagram.com/leighbarwell

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

Thank you so much for the support and for taking the time to check out Bet Dead Casino. It honestly means a lot to us when people watch indie films and support the work that goes into them. Later this year I’ll be heading into filming on a new horror thriller that I’m really excited about, and I’ve got a few other interesting projects in the pipeline too, so it’s a really exciting time.If you’d like to follow along with what I’m up to, I’d love for you to come and connect with me online. And if you haven’t seen Bet Dead Casino yet, I’d really appreciate you giving it a watch and sharing it with anyone who might enjoy a fast-paced indie action thriller (see links above). Thanks so much for the support – it really does mean the world.

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
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ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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