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An Interview with Nick Gatsby, Director of My Neighbor Wants to Kill Me

by Mike Haberfelner

May 2021

Films directed by Nick Gatsby on (re)Search my Trash

 

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Your new movie My Neighbor Wants to Kill Me - in a few words what is it about?

 

The movie is about distractions, and the fear and frustration of not accomplishing a goal before death.

 

What were your sources of inspiration when writing My Neighbor Wants to Kill Me, and is any of this based on actual experiences with bad neighbors or the like?

 

From a writing standpoint I was very inspired by the structure of the film Run Lola Run, where the main character is tasked with a mission and fails, but is given multiple chances to get it right. The world and style of My Neighbor Wants to Kill Me was inspired by Twin Peaks: The Return and the films of Harmony Korine such as Gummo and Julien Donkey Boy. The first Resident Evil video game is a huge inspiration on the story and structure as well.

 

But the main source of inspiration was what I was going through at the time. The apartment we shot My Neighbor Wants to Kill Me in was my actual studio and the real life neighbor in the next studio would pound and kick at my door every other day threatening to kill me. He had to be either on drugs or was schizophrenic, but he was convinced that I was talking shit to him through the wall, so at random he would come next door and start banging on my door, attempting to break it down. Through these random outbursts the story and concept of My Neighbor Wants to Kill Me was conceived, and I decided to write and shoot the movie quickly before my lease was up.

 

Narratively speaking, My Neighbor Wants to Kill Me isn't 100% linear and seems to bend the perceived reality a bit every now and again - so what can you tell us about that narrative choice of yours, and how easy or hard was it for you to not lose the plot telling your story like that?

 

I have a strong passion for experimental and surrealist storytelling and always try to find ways of developing a story without dumping a bunch of exposition on the audience. For this film, I wanted to make something that played out like a video game rather than a typical survival horror movie. I wanted the audience to witness the Tenant go through this obscure puzzle as if they were watching a friend play through a video game. The original script I was writing was very linear, but it was a drag trying to write out a weird, experimental tale and try to make sense of it. I had the concept of the video game idea, I knew that the Tenant would repeatedly die and wake up in a chair, and I had written notes on all the different ways the Tenant would die. So rather than finishing the script, I picked out the best deaths from my notes, and worked with Eric Willis to improvise the scenes leading to each death sequence. It wasn't difficult to lose the plot, because the plot was being developed as we were filming it and improvising the direction and acting of the scenes. By the time we finished the third or fourth death sequence, I had a decently clear idea of how to end the movie. And Eric came up with the idea of the film ending on the Tenant laughing, through his improvisation.

 

Do talk about your movie's approach to horror!

 

The movie was never intended to be scary. It's more of a dark comedy. But through the humor, there is a desire to put the viewer into a state of anxiety and claustrophobia just like the main character. This is so with the tight close-ups on Eric, and the exaggerated sounds of the door pounding. I can't say if the attempt was successful, but through horror tropes, there was always an attempt to put the viewer at unease.

 

You've chosen  a retro VHS-look for your movie - why is that then?

 

I always wanted to shoot a movie on VHS. I really like the gritty, vintage look of it. I decided to give My Neighbor Wants to Kill Me this look because it was a silent, gothic horror movie, and every silent movie is shot on film. I wanted my silent film to be on VHS because it hasn't been done before or as often as I would like to see. I fell in love with the idea of this movie being some trashy obscure "thing" you would find in an old box of VHS tapes.

 

What can you tell us about your overall directorial approach to your story at hand?

 

It was very improvised. I went mostly off of the notes I had written and felt it would be a more unique and authentic story if I were to work out the story as we went along incorporating improvisation from Eric Willis.

 

Do talk about My Neighbor Wants to Kill Me's cast, and why exactly these people?

 

Having moved into that studio in a new part of town, I found Eric lived very close to me. We would be hanging out every week and I had been giving him constant updates on my neighbor's shenanigans and felt he would be a great fit for the lead character. Having worked with him before, I had an understanding of his improv capabilities and knew he would deliver on the humor and horror aspects of the film. I was thinking of playing the neighbor myself, because I wanted the neighbor to be a quiet, lurking force that is unseen. Earlier that year, I met Scott Mitchell and collaborated with him on the soundtrack for the film and realized he would be a better fit for the neighbor primarily because he is a lot taller and more muscular than me.

 

A few words about the shoot as such, and the on-set atmosphere?

 

The shoot was fun but the atmosphere was very tense as we had to stay quiet as not to disturb the real-life neighbor next door.

 

Anything you can tell us about audience and critical reception of My Neighbor Wants to Kill Me?

 

The reception has actually been split down the middle. I knew going in we were making a genreless, plotless, trashy art piece that would divide audiences, and that was definitely the outcome. There's viewers who admire surreal and experimental movies who appreciate the film, and then there's viewers who dismiss it as pointless and unwatchable. Despite the negativity, I'm really pleased with the whole of the reception overall.

 

Any future projects you'd like to share?

 

I am currently writing the script for my next feature. It's another surrealist horror film that will hopefully be a little more frightening than My Neighbor Wants to Kill Me.

 

What got you into filmmaking in the first place, and did you receive any formal education on the subject?

 

My whole childhood I would daydream about my own movies and video games, creating stories in my head. It wasn't until I was 17 and had no direction that filmmaking could be an option for a career since I wasn't doing anything else. My sister got me started on collecting DVDs and I knew from that point on I wanted to make films. I started off by writing scripts. From there I attempted to get into film school, but was rejected. This caused me to drop out of college and start teaching myself how to make movies, using an old Flip Camcorder my dad gave me.

 

What can you tell us about your filmwork prior to My Neighbor Wants to Kill Me?

 

Before My Neighbor Wants to Kill Me my resume consists of various experimental short films and a feature length documentary called Lazy Stoners Descending.

 

How would you describe yourself as a director?

 

As a director, I try what I call a "hippie approach" to filmmaking where even if there's a script, I give the actors freedom to bring whatever they want to the table and work the scene off of their actions and ideas. I'm also very collaborative as I listen to any ideas or suggestions the actors have and try them out.

 

Filmmakers who inspire you?

 

There's so many to mention, but if I had to give you 5, they would be Kubrick, Lynch, Spike Lee, Tarantino, and Jim Jarmusch.

 

Your favourite movies?

 

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I have about 200 favorite movies. IF I were to give you my top 5, they'd be: Pulp Fiction, Boyz N The Hood, Hausu, Fish Tank, Easy Rider.

 

... and of course, films you really deplore?

 

I'm really unimpressed by modern Hollywood films. I'm not a fan of DC/Marvel movies (love the comics though). I really hate video game movies. I think it sucks we have yet to see a good Mortal Kombat or Resident Evil movie. They really shouldn't make these adaptations if they can't do it right.

 

Your/your movie's website, social media, whatever else?

 

Nick's social media:

facebook.com/gatsmentafilms

instagram.com/ngatsby303

 

Movie link:

https://www.amazon.com/exec/obidos/ASIN/B08DD7MYVM/

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

Nothing more to add. I really had fun answering these questions!

 

Thanks for the interview!

 

Thank you, it's my pleasure!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!