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Aeon: The Last Vampyre on Earth

USA 2013
produced by
Anthony E. Griffin, Warren Croyle, Frank Stabile, Daniel E. Falicki for Rotomation Pictures, Chemical Burn
directed by Daniel E. Falicki
starring April Basile, Daniel E. Falicki
story by Warren Croyle, screenplay by Warren Croyle, Ryan Lieske, music by Tom Ashton, special effects makeup by Mark France/Rotomation Works Dept. 4

review by
Mike Haberfelner

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Nobody known what is exactly going on, but the city seems to be under some kind of attack - and to escape that, Catherine (April Basile) seeks shelter in a warehouse ... that at first seems abandoned, but then she finds two dead guards and a grotesque decaying figure, someone who looks mummified enough to have been dead for ages, yet he's alive, Aeon (Daniel E. Falicki). Aeon is a vampire, the last of his kind, and he was kept in this warehouse in a vegetative state for decades, so the scientists could have their fun with him, but now the cataclysm has freed him ...

So Catherine is torn between the bombardment and certain death on the outside, and the vampire and almost certain death on the inside - so she chooses the latter, as the vampire doesn't seem to be at full strength yet ...

The unique situation gets Catherine and the vampire talking, and some of what the vampire says makes Catherine question her preception of good and evil - especially when Aeon says his species only kills humans in order to survive, and if it's absolutely necessary at that, while humans kill other humans for every number of reasons, humans are the only species capable of destroying their own planet, and so on and so forth. In other words, the vampire might not be the bad guy here, at least not if compared to humans ... and nevertheless, all that doesn't really convince Catherine to want to give up her life any sooner, and even if she doesn't know what awaits her once she has escaped the vampire, she is a testament for the humans' reslience - but will she escape Aeon at all ...

 

Aeon: The Last Vampyre on Earth is an enjoyably odd little horror film, as while it's atmospheric and at times scary and gory enough, it focusses more on the philosophical dimensions of the genre-immanent good-evil-dichotomy and also touches religious questions and the like. And while basically, the film is only two people talking in a room (mostly), the whole thing is still suspenseful as heck, and most suspense is derived from the conversation even. Now add to that two very competent leads, great sets and special effects makeup, and of course a very stylish (yet not glossy) directorial effort, and you've got yourself a very unusual piece of horror.

Recommended!

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
demons and potholes,
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Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
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to the weirdly romantic,
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screenwriter and film reviewer
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Tales to Chill
Your Bones to

the new anthology by
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Out now from
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