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Battlestar Galactica - Saga of a Star World
episode 1
Battlestar Galactica
USA 1978
produced by John Dykstra, Glen A. Larson (executive), Leslie Stevens (supervising) for Glen A. Larson Productions, Universal/ABC
directed by Richard A. Colla, Alan J. Levi
starring Richard Hatch, Dirk Benedict, Lorne Greene, Herbert Jefferson jr, Maren Jensen, Tony Swartz, Noah Hathaway, Terry Carter, Lew Ayres, Wilfrid Hyde-White, John Colicos, Laurette Spang, John Fink, Jane Seymour, Ray Milland, Ed Begley jr, Rick Springfield, Randi Oakes, Norman Stuart, David Greenan, Sarah Rush, David Matthau, Harry Johnson, Geoffrey Binney, Paul Coufos, Bruce Wright, Patrick Macnee, Reggie Nalder
written and created by Glen A. Larson, music by Stu Phillips, visual effects by John Dykstra/Apogee Productions
TV-series Battlestar Galactica, Classic Battlestar Galactica, Battlestar Galactica (original series)
review by Mike Haberfelner
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After centuries of conflict, peace has been brokered between humankind
and the robot-like Cylons - so the day of the signing of the treaty should
be perfect for space cadet Zac's (Rick Springfield) first patrol flight -
and together with his brother Captain Apollo (Richard Hatch) as well. But
then, Zac and Apollo detect a nest of Cylon battleships, hidden away from
human radar, and they shoot down Zac's ship while Apollo makes it back to
his homebase, Battlestar Galactica and warns everybody. But when the
Galactica's Commander Adama (Lorne Greene) - incidently Apollo and Zac's
father - reports this to President Adar (Lew Ayres), who's about to sign
the treaty, he suppresses the information to not endanger the peace
process - with the result that out of the blue the Cylons attack and shoot
down all the battlestars safe for the Galactica, which came prepared, then
attack all the human homeworlds, pretty much committing genocide. As a
result, only a few thousand humans survive, and in all sorts of space
vessels, they follow the Galactica, which also acts as their protector, to
a fabled human colony called earth, even if information how to get there
are hazy. Among the human fugitives, Sire Uri (Ray Milland) soon plays a
significant part, especially while he opposes pretty much all of Adama's
unpopular but necessary decisions - which eventually leads to the
dangerous decision to lead the Galactica's convoy through a minefield in
space to a little mining colony. Galactica's star pilots Apollo, Starbuck
(Dirk Benedict) and Boomer (Herbert Jefferson jr) pilot three fighter
ships through the minefield and successfully destroy all the mines to
ultimately land on a planet that seems like paradise, housing a casino
where everybody wins and entertainment is pretty much limitless - in a
word something that sounds too good to not be a trap. And yet, Sire Uri
wants to honour Apollo, Starbuck and Boomer in a ceremony on the planet
and at the ceremony promote his plan to totally disarm and surrender to
the Cylons. However, Adama smells treachery and has secretly station all
fighter ships on the planet. And of course, before long there are two big
reveals: For one, the natives of the planet actually feed on the humans
they attract with their casino, and they're in league with the Cylons as
well, with one of their battlestars hidden just behind the planet. Of
course, the Cylons attack, but are caught by surprise by the fighter ships
that attack them from behind. Soon, all the Cylon fighters are destroyed
or take flight while Apollo and Starbuck go on a mission to force the
Cylon battlestar to crash into the planet, which blows up the whole planet
in return ... Now the concept of the last of humankind
searching for a planet to start afresh sure is a promising one, and on
some levels, this pilot sure succeeds: The special effects are pretty good
for 1978, and TV, too, the Cylons are plenty scary, there's plenty of
action, and the thing's well-enough structured to keep one's attention
throughout. Thing is, not counting structure, the actual writing is rather
sub-par: The characters uniformly lack depth and really don't feel too
much like "characters" at all but like generic TV series
cut-outs that one could really throw into whatever series of whatever
genre without changing them one bit. Likewise the situations they get in
when they're not concerning the bigger picture seem totally generic, seen
in any number of other shows all across the genre-board. And much of the
dialogue feels stilted, too, but without any hint of originality. That
said, the concept alone is still strong enough to carry this pilot, making
it a fun romp, but once the series went weekly the deficits began to show
more and more.
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