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Beowulf

USA 2007
produced by
Robert Zemeckis, Steve Bing, Jack Papke, Steve Starkey, Roger Avary (executive), Neil Gaiman (executive), Roger Roberts (executive), Martin Shafer (executive) for ImageMovers, Shangri-La Entertainment
directed by Robert Zemeckis
starring the voices and motion-captured likeness of Ray Winstone, Angelina Jolie, Anthony Hopkins, John Malkovich, Robin Wright-Penn, Crispin Glover, Brendan Gleeson, Alison Lohman
screenplay by Neil Gaiman, Roger Avary, based on the epic poem Beowulf, music by Alan Silvestri, visual effects by Gentle Giant Studios, Sony Pictures Imageworks, W.M.Creations

animation
Beowulf, Grendel

review by
Mike Haberfelner

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The realm of viking king Hrothgar (Anthony Hopkins) is threatened by a monster called Grendel (Crispin Glover) - a demon who is of course the spawn of a union of Hrothgar and Grendel's sorceress mother (Angelina Jolie). So Hrothgar promises the hero who rids the kingdom of Grendel half of his land and possessions. Enter Beowulf (Ray Winstone), mighty warrior, who ... immediately lays his eyes on Wealthow (Robin Wright-Penn), Hrothgar's wife - but then he completely undresses (to give the demon, who also wears no cloths, a fair fighting chance) ... and kills Grendel - but is quite surprised to hear the monster speaking (anachronistically, the monster speaks Anglo-Saxon or Old English, while all other characters speak current or New English - but nobody seems to have any trouble understanding Grendel).

After the monster is dead, all of Beowulf's entourage are killed by Grendel's mother, who invites him to come visit her. And so Beowulf does, bringing the fabled Golden Horn as a gift (?). But since Grendel's mother is Angelina Jolie and is pretty much naked, Beowulf doesn't fight but fuck her (and can you blame him ?). And in return, Grendel's mum promises to leave Hrothgar's kingdom in peace as long as the Golden Horn remains with her ...

Hrothgar listens to Beowulf's big tales about Beowulf's victory over Grendel's old hag-mother - and doesn't believe a word (remember, Hrothgar fucked her as well, all those years back). But all of this isn't his problem any longer, he just promises the realm (all of it) and Wealthow to Beowulf and throws himself off the next cliff.

Fast forward a few decades: Beowulf has been a successful but cruel king, conquering the neighbouring kingdoms in a series of cruel attacks and neglecting his wife Healthow in favour of young Ursula (Alison Lohman) he has developed a soft spot for. Then Unferth (John Malkovich), who has always been Beowulf's chef adversary back in the days when Hrothgar was still king, returns the Golden Horn to the realm - which of course means that Grendel's mum's new son (with Beowulf), a dragon, attacks almost immediately, laying most of Beowulf's realm to ruins and killing many of his subjects. Luckily though Beowulf knows about the dragon's achilles heel, jumps upon the dragon in mid-flight, and kills it after a long battle - even if it costs his own life.

With Beowulf gone, the kingdom falls to Wiglaf (Brendan Gleeson), the only man he really trusted, and Wiglaf is clever enough to just return the Golden Horn to Grendel's mum and not fuck her, so she won't have another offspring ...

 


Oh boy, what a piece of trash !

Director/producer Robert Zemeckis might have had the good sense to hand scripting duties to Roger Avary and Neil Gaiman, two men not exactly Hollywood mainstream (yet), but it goes (way) downhill from there: The main flaw is that the whole film was, for no apparent reason, computer animated - even though apart from the monsters and the occasional special effect scene the whole film is done in a photorealist way. And that's the big downlet of CGI: Despite the best efforts, computer-animation just fails to look realistic, hair are a frequent problem, as are gestures and facial expression, plus for some reason in this movie, the CGI-characters all seem to never move their fingers and hands, just like Barbie-dolls, which looks odd to say the least.

But the film is also flawed apart from the obvious letdowns of computer animation. Thing is, Zemeckis, not exactly an intellectual among the mainstream filmakers, never seems to get a handle on the more sublte aspects of the screenplay, like Beowulf's lusting for king Hrothgar's wife or his moral decay once he has become king, insisting to tell it as a simple/simplistic heroic tale, and as director, he does nothing to inject his reactionary storytelling with innovative ideas, instead invariably going for the obvious.

So yeah, this film is bad, very bad, and not bad in a good way, but at least, like many truly bad films, it at least has some scenes of unintentional humour: There is naked Angelina Jolie in anachronistic high heels (according to reports, Jolie had no idea just how revealing her role would be, so maybe this is the reason for CGI), there is Grendel talking Anglo-Saxon with all characters understanding him but talking English, and the best scene, Beowulf's lengthy naked battle with Grendel, during which the director walks an extra mile in not showing his little president, using all sorts of tricks reminiscent of nudist camp movies of old - this scene alone is nothing short of a laugh riot, so maybe, just maybe, Beowulf has at least one redeeming merit after all.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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