Hot Picks
|
|
|
Black Swan
USA 2010
produced by Scott Franklin, Mike Medavoy, Arnold Messer, Brian Oliver, Jon Avnet (executive), Bradley J. Fischer (executive), Peter Fruchtman (executive), Ari Handel (executive), Jennifer Roth (executive), Rick Schwartz (executive), Tyler Thompson (executive), David Thwaites (executive) for Protozoa Pictures, Phoenix Pictures/20th Century Fox (Fox Searchlight)
directed by Darren Aronofsky
starring Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder, Benjamin Millepied, Ksenia Solo, Kristina Anapau, Janet Montgomery, Sebastian Stan, Toby Hemingway, Sergio Torrado, Mark Margolis, Tina Sloan, Abraham Aronofsky, Charlotte Aronofsky, Marcia Jean Kurtz, Shaun O'Hagan, Chris Gartin, Deborah Offner, Stanley B. Herman, Michelle Rodriguez Nouel
story by Andres Heinz, screenplay by Mark Heyman, Andres Heinz, John J. McLaughlin, music by Clint Mansell
review by Mike Haberfelner
|
|
Available on DVD! To buy, click on link(s) below and help keep this site afloat (commissions earned) |
Always make sure of DVD-compatibility!!!
|
|
|
|
|
|
|
|
|
|
Nina (Natalie Portman) is pretty much the perfect dancer, knowing all
of her routines by heart, hardly ever doing a wrong movement - and that's
why choreographer Thomas (Vincent Cassel) at first refuses to give her the
lead part in their performance of Swan Lake, simply because she
lacks the emotionality to play the sinister and seductive black swan - and
is only convinced otherwise when he tries to seduce her and she bites him
in the lip to ward him off. However, the rehearsals are hell, Nina simply
can't wrap her head around her role, as her life runs in much too
regulated ways to leave much space to emotions, also thanks to her
over-protective mother (Barbara Hershey), and Thomas' attempts to get her
out of her shell sometimes border sexual harassment. Plus most other
dancers hate her for having gotten the big break, first and foremost the
ensemble's former primaballerina (Winona Ryder). There's only one girl in
the ensemble who seems to care for her, and that's her understudy Lily
(Mila Kunis), who's pretty much the polar opposite of Nina, she lives in
the moment, shows almost too much emotion, and never bothers to think
about consequences. And eventually, the night before the premiere, Lily
manages to take out Nina for drinks, spikes Nina's drink (with her
knowledge), and the two of them ... might party a bit too heavily, as they
ultimately land in bed together - and the next day, Nina almost oversleeps
and misses the premiere, and is in shock when she finds Lily in her
costume. And now all the pent up rage unloads, which might be good for her
performance, but bad for all the people around her and even herself ... Now
Black Swan looks very nice, it's decently directed, well filmed
(even if given its ballet settings it could have done with a little more
visual excess), and the acting is really top notch ... and yet it's not a
very good film: The whole film is a bit too simplistic for its own good,
and first and foremost due to its very flat lead character, who really
seems to have only that one side to her, that she lacks emotionality, but
there's no flesh on these bones, so it's very hard to feel with her.
Likewise, the two other leads, Thomas and Lily, actually come across as
clichés more than relatable persons. And the horror finale of the show is
visually stunning and packs a punch, but could have been set up much
better - well, at all, really. Really too bad, cast and direction would
have deserved a better story.
|
|
|