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La Cáscara

The Rind

Uruguay/Spain/Argentina 2007
produced by
Diana Frey (executive), Luis Minarro (executive), Mariana Secco (executive) for Salado Media, Delta Producciones, Eddie Saeta
directed by Carlos Ameglio
starring Juan Alari, Martin Voss, Horacio Marassi, Walter Reyno, Filomena Gentile, Virginia Ramos, Paola Venditto, Augusto Mazzarelli, Soledad Gilmet, Gonzalo Cammarota, Virginia Rodríguez, Noelia Campo, María Aiello, Jorge Bolani
written by Carlos Ameglio, music by Gustavo Casenave

review by
Mike Haberfelner

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In their advertising company, Pedro (Juan Alari) and Juan (Gonzalo Cammarota) are the perfect team - Juan is the idea man, and Pedro the one who makes it all happen. Then though, Juan dies unexpectedly in a carcrash, just before he could deliver the cracking idea for an ad for an anti-cold drug, and Pedro, afraid to lose his position in the company and afraid that someone will find out that Juan was the sole creative force behind all their team  efforts, tries all sorts of things to track down Juan's allegedly great idea, like talking to all his exes, breaking into his apartment, living in his apartment, trying to live his life and whatnot - but to little avail. It's only when Pedro meets a pre-teen orphan, Juanito (Martin Voss) who was also a friend of Juan's that he tries to get an idea as to who Juan really was, but then Juanito leads Pedro to the site of Juan's carcrash and disappears - and it might be because Juanito was Juan's former self or his spirit, or really just an orphan who likes to run away. Anyways, this gets Pedro so unhinged that he eventually takes to the streets at night dressed in a spacesuit, and he is eventually run by a car over too, wearing it - but that's when he finally has the perfect idea for the anti cold drug ad ...

 

A film that tries very hard to be a likeable dark comedy - and it only partly succeeds: On one hand, it's harmless enough throughout to be liked by pretty much everyone, which also means though that it lacks any edges to become anything more than likeable, not even interesting, which is also supported by an aesthetically neutral direction. On the other hand, the dark elements of the narrative are very much suppressed until the finale, which is when the film finally tries to shake it's harmlessness (also direction-wise) - but by then it's too little too late.

Now this one could have been good with a few macabre touches every now and again, a tighter pace and the running time trimmed from about 105 minutes to approximately 75 - but as it is, it's just too long, too uneventful, too boring and indeed to harmless to really be of much interest.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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