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Derelicts
USA 2017
produced by Udoy Rahim, Mark Newton, Brett Glassberg (executive) for Batchain Productions
directed by Brett Glassberg
starring Kelly Dealyn, David Lee Hess, Emily Ammon, Dalton Allen, Steve Uzzell, Les Best, Lana Dieterich, Sam Pleasant, Clay Shirley, Kara Mellyn, Andre Evrenos, Marcela Pineda, Pat Turner
written by Andre Evrenos, Brett Glassberg, Clay Shirley, music by Joe Stacey
review by Mike Haberfelner
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They are not the best family at the best of times - "them"
being father Gregg (David Lee Hess), mother Constance (Kelly Dealyn),
daughter who just had a nervous breakdown Barbara (Emily Ammon), son who's
been hit by a bad case of puberty Leslie (Dalton Allen), horny grandpa
Francis (Steve Uzzell) and his new girlfriend Beverly (Lana Dieterich) -,
but now it's not the best of times but Thanksgiving, the one day of the
year everybody's supposed to act like a happy family. But then Cap (Les
Best) and his gang of misfits - Forrest (Sam Pleasant), Sal (Clay
Shirley), Bo (Kara Mellyn) and guy with a teddybear stuck to his face Turk
(Andre Evrenos) - crash the party, and they are dangerous criminals who
have just escaped prison and are now out to have some fun. And what could
be more fun than a little home invasion, where you tie up, terrorize and
torture the inhabitants? And with a family as dysfunctional as their new
victims, they've got plenty material to go on - and that's even before
they find out that Gregg has an affair with Morgan (Marcela Pineda), and
force him to call her over for some extra fun. Thing is, with her on
board, our family try to turn the tables, and Barbara and Morgan actually
manage to make a getaway - but Cap and company still grossly outgun them,
and they have no second thoughts about killing people ... Now Derelicts
sure enough is a mean movie, as it features many acts of random violence,
has no reservations about killing off its protagonists at unexpected
instances, and its torture scenes are rather nasty. On the other hand,
this film isn't as nihilistic as the genre classic Last
House on the Left, it's much more light-footed, even features
spots of comedy (from Turk's teddybear stuck to his face, to an inventive
use for Leslie's penis pump), and features some moments too over-the-top
to be taken seriously as a nice relief from the grimness of the situation.
The combination of all of this makes this a surprisingly entertaining
movie, that might put more emphasis on action than atmosphere, but that
also keeps things moving at a steady pace throughout.
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review © by Mike Haberfelner
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Robots and rats,
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Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
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