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The Falcon Takes Over
USA 1942
produced by Howard Benedict, J.R. McDonough (executive) for RKO
directed by Irving Reis
starring George Sanders, Lynn Bari, James Gleason, Allen Jenkins, Helen Gilbert, Ward Bond, George Cleveland, Edward Gargan, Harry Shannon, Turhan Bey, Juan Varro, Selmer Jackson, Anne Revere, Hans Conried, Warren Jackson, Charlie Hall, Dale Van Sickel, Roxanne Barkley, Kernan Cripps, Lew Kelly, Gayle Mellott, Ken Terrell, William H. O'Brien, Frank O'Connor, Bob Reeves, Louise Ritchie, Fred Carpenter, Mickey Simpson, Frank Fanning, Paul Norby, Chester Tallman, Robert Smith, William Alland, Eddie Dew
screenplay by Lynn Root, Frank Fenton, based on the novel Farewell, My Lovely by Raymond Chandler & characters created by Michael Arlen
The Falcon, The Falcon (George Sanders), Philip Marlowe (sort of)
review by Mike Haberfelner
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Looking for his girlfriend Velma, brutish ex convict Moose Malloy (Ward
Bond) enters a nightclub, makes his way to the manager's office, kills the
manager, then makes a hasty escape, forcing the Falcon's (George Sanders)
sidekick Goldy (Allen Jenkins) to drive him to a certain address. When
Goldy returns to the scene of the crime, police inspector O'Hara (James
Gleason) wants to arrest him as accessory to the crime, but the Falcon
manages to dissuade the policeman, then has Goldy to drop him off where he
has dropped Moose off - which results in Moose stealing their car, but
they also pick up some interesting clues from the lady at the address, one
Jessie Florian (Anne Revere), wife of a clubowner Velma has once
worked at. Back at his office, the Falcon soon receives a visit from one
Quincey W. Marriot (Hans Conried), who wants to hire him as his
bodyguard in a not quite legal exchange of money for a stolen necklace.
But once at the scene of the handover, Marriot shoots the Falcon with the
Falcon's own gun, but is then gunned down and killed himself - while the
Falcon survives unscathed as he always loads his gun with blanks. Enter
cub reporter Ann Riordan (Lynn Bari), who is following the Falcon around
to get the scoop that will put her on the map, and who soon proves to be
as valuable a sidekick as any. Also enter socialite Diana Kenyon (Helen
Gilbert), the woman whose necklace Marriot and the Falcon were to buy
back, and enter a whole host of other characters, like two swamis (Turhan
Bey, Juan Varro) and a club owner (Selmer Jackson), who all have the
tendency to not live that long thanks to the homicidal rage of Moose. And
ultimately it turns out that Diana Kenyon is actually the mastermind
behind it all, and she lures the Falcon into an ambush, wanting to kill
him but not before she has spilled the beans. Also, she admits to being
the Velma Moose is after - but unfortunately, Moose has by now caught up
with her, and hearing her confession of how she played everyone but him
especially, he kills her in a blind rage, just before the police arrives
to apprehend him.
The very first big screen appearance of Philip
Marlowe ... actually turned out to not be a Philip
Marlowe-movie at all but, while this is an adaption of Raymond
Chandler's Farewell My Lovely, Chandler's hard boiled private eye
has been substituted by Michael Arlen's British dandy detective The Falcon,
which had been turned into a B-movie series by RKO
starring George Sanders (and in later entries his real life brother Tom
Conway) in the early 1940s - and that's probably the biggest problem of
this movie: While Chandler's source material creates a complex and also a
tad convoluted net of intrigue, everything had to be ironed out and
simplified for this film's mere 63 minutes of running time, plus
well-established characters of the series all had to be added to do their
routines, eating further into the story - and the result is a pretty tired
whodunnit that has its funny moments though. Ward Bond makes a very good
brute though, while George Sanders plays the character well, but seems to
be out of place in the story at hand. By the way, Raymond
Chandler's Farewell My Lovely was remade a mere two years later as Murder
My Sweet, again at RKO,
the first actual big screen appearance of Philip
Marlowe - and a far superior movie. Between this one and Murder
My Sweet though another Philip
Marlowe-novel, The High Window, was adapted for the
screen, Tim to Kill, with
Marlowe being replaced by Michael
Shayne.
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