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Fantômas contre Fantômas

Fantomas Against Fantomas

France 1949
produced by
G. d'Achon, Hubert d'Achon for Latino Consortium Cinéma
directed by Robert Vernay
starring Alexandre Rignault, Yves Furet, Nora Costes, Marcelle Chantal, Maurice Teynac, Aimé Clariond, Robert Arnoux, Berthe Bovy, Antoine Balpêtré, Janine Marsay, Jean d'Yd, Sinoël, Jean Témerson, Paul Azaïs, Sabine André, Jean Aymé, Jo Charrier, Léonce Corne, Jane Daury, Andrews Engelmann, Paul Faivre, Eugène Frouhins, Albert Gercourt, René Hiéronimus, Robert Moor, Geneviève Morel, Marcel Pérès, Maurice Salabert, Michel Seldow, Jacques Tarride, Victor Vina, Odile Versois, Yves Deniaud
screenplay by Solange Térac, Robert Vernay, dialogue by Pierre Laroche, based on a story by Marcel Allain, music by Joe Hajos

Fantomas

review by
Mike Haberfelner

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Fantomas (Maurice Teynac) is dead ... well, at least everybody believes so, especially Inspector Juve (Alexandre Rignault), his prime nemesis over many years. And thus, when winemaker Noblet receives a blackmailing letter from same, he doesn't go to the police but to reporter Fandor (Yves Furet), who covered the case extensively. Fandor of course also believes that Fantomas is dead ... but he knows a good story when he sees one - and then when Noblet is to hand over the money, both he and Fantomas' helper are shot dead, Fandor almost burns to death in Noblet's office ... and somehow Fantomas escapes with the money.

It doesn't take Fandor long to convince juve that Fantomas might not be all that dead, especially after he blackmails more people, usually using acquaintances of these people who have been kidnapped and brainwashed as money couriers. Juve and Fandor try to follow one of the money couriers - but that almost leads to Fandor's demise.

Eventually, Fantomas takes doctor Bréval (Aimé Clariond) captive, a scientist who has perfected brainwashing techniques far beyond Fantomas' own, but Bréval, though shunned by the scientific world these days, is reluctant to help ... until Fantomas kidnaps Bréval's sweetheart Irène (Marcelle Chantal), brainwashing her into loving him - Irène it should be mentioned, is the mother of Christiane (Nora Costes), Fandor's girlfriend. This goes well for a while, and with his new brainwashed army, Fantomas spreads terror over Paris, killing random people to force the gouvernment to fully pardon Fantomas ... but then one of Fantomas' victims turns out to be Irène's son, and when she rather accidently learns of it, she snaps out of her brainwashed state, makes an escape and phones Fandor. She can be recaptured and is ultimately killed, but when her body is found and the time of her death determined and adds up with the time of the phonecall, the call can be tracked back, and now the police move in on Fantomas.

In the meantime, Bréval has learned about his sweetheart's death though and now he turns Fantomas' brainwashed army, who listen to Bréval first and foremost, on Fantomas. In the finale, Bréval is killed, as are many of his brainwashed men, but ultimately, Fantomas falls into an acid vat fighting with a trio of members of his former braindead army just before the police manage to break into his headquarters.

 

Fantômas contre Fantômas is full of murder mystery mainstays, wild sci-fi ideas, far-fetched plot twists, red herrings, chases and fights ... in short, everything a pulp fan like myself needs to like a film - and yet it's far from perfect, maybe not even mediocre: Basically, despite all these very nice elements, the film just fails to really click, narratively. As a whole it's much more of a accumulation of episodes than one coherent movie and thus weak in structure, to the point where things actually get a bit boring. That said, the film has its moments, and especially the finale with Fantomas running from his own creatures, is very much on the creepy side, but a classic or even a hidden gem the film definitely is not.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
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shopping mall Santas,
love and death and everything in between,
Tales to Chill
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Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
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the new anthology by
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Out now from
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