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Jason Goes to Hell: The Final Friday
Friday the 13th Part 9: Jason Goes to Hell
USA 1993
produced by Sean S. Cunningham for Sean S. Cunningham Films/New Line
directed by Adam Marcus
starring John D. LeMay, Kari Keegan, Kane Hodder, Steven Williams, Steven Culp, Erin Gray, Rusty Schwimmer, Richard Gant, Leslie Jordan, Billy Green Bush, Kipp Marcus, Andrew Bloch, Adam Cranner, Allison Smith, Julie Michaels, James Gleason, Dean Lorey, Tony Ervolina, Diana Georger, Adam Marcus, Mark Thompson, Brian Phelps, Blake Conway, Madelon Curtis, Michelle Clunie, Michael B. Silver, Kathryn Atwood, Brooke Scher
story by Jay Huguely, Adam Marcus, screenplay by Dean Lorey, Jay Huguely, music by Harry Manfredini, special effects by K.N.B. EFX Group, Bellissimon/Belardinelli Effects, MetroLight Studios
Friday the 13th, Jason Voorhees, Freddy Krueger (cameo)
review by Mike Haberfelner
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This film starts pretty much where other Friday the 13th
movies end: Hockey-masked killer Jason Voorhees (Kane Hodder) is lured
into a trap and killed - but not just killed, he's riddled with bullets by
a special squad, then he's blown up by a rocket launcher, being blown into
so many pieces it's impossible he has survived - but of course, he somehow
did, as in the morgue, his heart's still beating, and it hypnotizes the
coroner (Richard Gant) into eating it up. Upont that, the coroner promptly
turns into evil killing machine, killing his way out of the morgue, and
heading - where else? - to Crystal Lake. Once there, he kills the
obligatory campers (Michelle Clunie, Michael B. Silver, Kathryn Atwood),
gets into a fight with deputy Josh (Andrew Bloch), whose body he
eventually takes over, leaving the coroner's to disintegrate. Then he goes
for the home of Diana Kimble (Erin Gray) and kills her but is chased away
by Steven (John D. LeMay), ex of her daughter Jessica (Kari Keegan) before
he can take over her body. But when Steven's found all bloodied up over
her body he's arrested for her murder. In jail though, he meets bounty
hunter Creighton Duke (Steven Williams), the only one who knows the truth
about Jason, that he can only be reborn through a Voorhees, and only be
killed by a Voorhees, and Diana was a Voorhees, as are Jessica and her
newborn (Brooke Scher). Brooke arrives in torn with her new boyfriend,
true crime show host Robert Campbell (Steven Culp), and while Campbell is
following his own agenda, he gets attacked by possessed Josh/Jason, who
then takes over his body. Steven escapes from jail and only just manages
to save Jessica from an attack by possessed Campbell, but she thinks he
has only tried to kill her new boyfriend and takes flight to the local
police station. Campbell follows her and kills pretty much everyone at the
station, but Jessica is able to escape. Creighton Duke kidnaps Jessica's
baby and lures her and Steven to the Voorhees house so Jessica can kill
Jason with a special dagger before he's reborn. Thing is, when Jason
arrives - now possessing deputy Randy (Kipp Marcus) - Duke puts himself
out of commission, and Jason finds the dead body of Diana - earlier hidden
there by Campbell - and is reborn through her, but somehow Jessica manages
to ram a special magic (!) dagger through his heart and Jason pretty much
disintegrates, with his hockey mask then being dragged to hell by Freddy
Krueger's razor-bladed glove. Now by 1993, the slasher genre
had run a tad stale, and the Friday the 13th series had more
or less run its course, as after 8 movies what new can you tell within the
series' very narrow formula? So the producers of this one added heaps upon
heaps of fantasy elements to the story, created a new mythology, and did
all of this with a certain amount of irony. The result of course was
frowned upon by Friday the 13th- and slasher-purists (and
thus no new Friday the 13th-movie was made for another 8
years and Jason X), and in all honesty, this isn't a great
movie in the purest (or any other) sense of the word ... but it somehow
works, with the body-swapping Jason and the magic dagger and the whole
"only a Voorhees can kill Jason" giving the film a bit more
coherency than your standard slasher plot. Sure, the whole thing's silly,
but the movie seems to be winking at you pretty much throughout, as if the
filmmakers were aware of the whole thing's ridiculousness and just went
and had fun with it. And frankly, for its courage to be different and try
something new, this is one of the most entertaining films of the series.
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