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Dýrið
Lamb
Lamm
Iceland / Sweden / Poland 2021
produced by Piodor Gustafsson, Hrönn Kristinsdóttir, Sara Nassim, Jan Naszewski, Erik Rydell, Klaudia Smieja, Marcin Drabinski (executive), Jon Mankell (executive), Håkan Pettersson (executive), Peter Possne (executive), Noomi Rapace (executive), Béla Tarr (executive) for Black Spark Film & TV, Chimney, Go to Sheep, Madants, Rabbit Hole Productions
directed by Valdimar Jóhannsson
starring Noomi Rapace, Hilmir Snær Guðnason, Björn Hlynur Haraldsson, Ingvar Sigurdsson, Ester Bibi
written by Sjón, Valdimar Jóhannsson, music by Þórarinn Guðnason, special effects by Freyr Ásgeirsson
review by Mike Haberfelner
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Ingvar
(Hilmir
Snær Guðnason)
and Maria (Noomi Rapace), farmers living in a remote and lonely
part of Iceland, have only recently lost their young daughter - so when
one of their sheep gives birth to a lamb with human legs and a human arm,
they don't at all wonder about this but keep it in their daughter's steadm
even give it her name, Ada. Everything should be fine, but Ada's sheep
mother wants her daughter back - so badly that Maria eventually shoots the
mother dead. So things couldn't be happier - and then Pétur (Björn
Hlynur Haraldsson), Ingvar's brother, arrives, and he's more than a little
surprised about and irritated by little Ada. So much so actually that he
eventually wants to shoot her dead - but ultimately takes to her instead
and becomes something like a second dad to her ... which eventually leads
to him making moves on Maria, upon which she sees herself forced to send
him away. Problem is, Ada didn't only have a real mother, but also a real
father, who might come looking for her ...
Lamb is nothing if not a very unusual film. Basically
it's the retelling of a fairy tale, but in terms of direction it goes for
very sober authenticity, firmly places the story in the here and now and
shines a very unromantizised light on modern farmwork - which is also the
source of much of the film's irony, especially when in the finale the
plot's fairytale origin finally shines through. That said, Lamb
isn't much of a comedy per se, more of a fable for adults. All that said,
the movie also requests a bit of patience, as its story takes its dear
time to unfold, leading to some dull stretches, but also to some enjoyably
dry punchlines. So despite the rather sensationalistic premise, don't
expect a spectacle of a film - to ultimately be rewarded for taking it
slowly.
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review © by Mike Haberfelner
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