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Ligeia

USA 2009
produced by
Jeff Most, Randall Emmett (executive), George Furla (executive), Jeff Rice (executive), Sergey Veremeenko (executive) for Jeff Most Productions, Poe Vision, Yalta-Film
directed by Michael Staininger
starring Wes Bentley, Kaitlin Doubleday, Sofya Skya, Michael Madsen, Eric Roberts, Cary-Hiroyuki Tagawa, Mackenzie Rosman, Joel Lewis, Christa Campbell, Lydia Hull, Jeff Most
screenplay by John Shirley, allegedly based on the short story by Edgar Allan Poe, music by Patrick Cassidy, Michael Edwards

review by
Mike Haberfelner

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Independently rich college professor Jonathan's (Wes Bentley) eventual marriage to Rowena (Kaitlin Doubleday) seems to be almost set into stone, and even her dad (Michael Madsen) has become mighty friendly with Jonathan (and his money) ... when he meets Ligeia (Sofya Skya), a beautiful yet mysterious student of his, who has no problems seducing him and eventually uses a hypnotic spell to make Jonathan hers. The two soon marry and move to her ancestors home by the Black Sea, which he buys back from whoever just to accomodate her.

Ligeia has a dark secret though: She is terminally ill, and now she has to kill people and collect their souls to stay alive. And she hopes to transfer her own soul into another body to remain young forever. As Ligeia gets worse, her control over Jonathan weakens, and eventually, he reestablishes contact with Rowena, who's of course still in love with him. Then he finds out what Ligeia is doing, and is appalled, while she offers him to live an eternal life with her via body-hopping. When he flees in panic though, she kills herself - but somehow has her soul preserved.

With Ligeia gone, Rowena and her dad come to live with Jonathan at his Black Sea estate. However, Ligeia's spirit has since taken possession of Lorelei (Mackenzie Rosman), the daughter of the place's caretaker (Eric Roberts), and as Lorelei, Ligeia soon kills the caretaker and Rowena's dad, then takes possession of Rowena ... but now Rowena's soul has taken possession of Lorelei, and it all culminates in a big fight that pits Ligeia as Rowena against Rowena as Lorelei and Jonathan as himself, and somehow, in the end, Ligeia is defeated and every soul is in its right body again, and Jonathan and Rowena decide to adopt Lorelei ... but wait, could it be she's still possessed?

 

Why this film claims to be based on Edgar Allan Poe's Ligeia is beyond me: It share's no more than a few names and very basic plot elements with Poe's short story, but wanders off into silly dark fantasy territory where Poe veered off into madness. Furthermore, Ligeia the film has very little to do with the spirit of Poe, who was never much of a fan of supernatural mumbo-jumbo as such, and I doubt he would have approved of the romance elements and the happy ending of the film.

That all said, not being good at adapting Poe does not necessarily lead to a bad film - but unfortunately, Ligeia is, it's little more than a wannabe cute yet pointless supernatural lovestory that invariably shies away from exploring the darker aspects of its plot, instead goes for a boringly straightforward approach.

And another thing: Why hire two great character actors like Michael Madsen and Eric Roberts and then give them probably the dullest roles of their careers?

 

review © by Mike Haberfelner

 

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special appearances by
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directed by
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written by
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produced by
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