
Hot Picks 
|
|
|
Mickey 17
USA / South Korea 2025
produced by Dooho Choi, Dede Gardner, Bong Joon Ho, Jeremy Kleiner, Pete Chiappetta (executive), Peter Dodd (executive), Jesse Ehrman (executive), Marianne Jenkins (executive), Andrew Lary (executive), Brad Pitt (executive), Anthony Tittanegro (executive) for Plan B Entertainment, Offscreen, Kate Street Picture Company/Warner Brothers
directed by Bong Joon Ho
starring Robert Pattinson, Steven Yeun, Michael Monroe, Patsy Ferran, Cameron Britton, Christian Patterson, Lloyd Hutchinson, Samuel Blenkin, Ian Hanmore, Sabet Choudhury, Tim Key, Rose Shalloo, Bronwyn James, Holliday Grainger, Milo James, Naomi Ackie, Daniel Henshall, Mark Ruffalo, Toni Collette, Jude Mack, Thomas Turgoose, Adam Colborne, Tom Cawte, Anamaria Vartolomei, Ellen Robertson, Sam Woodhams, Kayla Meikle, Haydn Gwynne, Edward Davis, Theo Ogundipe, Jamila Wingett, Spike White, Steve Park, Angus Imrie, Afolabi Alli, Anna Mouglalis (voice)
screenplay by Bong Joon Ho, based on the novel Mickey 7 by Edward Ashton, music by Jung Jae-il
review by Mike Haberfelner
|
Mickey (Robert Pattinson) is a well-meaning simpleton who has been
borrowing a chunkload of money from a loan shark (Ian Hanmore) he invested
into the wrong business - and now the loan shark wants his money back, and
threatens to kill Mickey if he fails to pay up. But of course, Mickey has
no hope of ever getting the kind of money he owes, so he decides to flee
earth on an expedition to an ice planet which an adoration hungry failed
politician, Kenneth Marshall (Mark Ruffalo), who together with his wife
Ylfa (Toni Collette) wants to colonize with a bunch of his followers. Now
Mickey has no qualifications to be of any help to this mission, and
neither is he actually a Marshall-follower, so he joins the ranks the only
way he can make himself useful - as an "expendable" .... and of
course, he hasn't read the fine print of his contract, otherwise he'd know
an expendable on this mission means he's to be exposed to all sorts of
lethal experiments so the scientists of the team can prepare the colonists
for life on the ice planet, and every time he dies, a new version of his
body is printed out with all of Mickey's memories intact - including his
multiple deaths. By now Mickey has died 16 times, and the 17th iteration
gets stranded in a cave on the planet and abandoned by the survey team as
it's too much of a bother to save him when they just can print him out
again. And soon enough, Mickey finds out he's not alone in the cave, it's
actually an abode of the local monster population who soon close in on him
- and drag him out of their cave unscathed and leave him to walk back to
the colonist ship - where he has to realize another Mickey has been
printed out since as he was presumed dead. Only that other self, Mickey
18, isn't quite as mild-mannered as he is, plus Mickey's girlfriend Nasha
(Naomi Ackie) feels herself drawn between the two - since Mickey 17 isn't
up for a threesome that is. And when Mickey 18 tries to assassinate
Marshall, all hell breaks loose, and ultimately both Mickeys end up in the
slammer. Then the local monster community mpves in on the colonist ship,
and Marshall, basically wanting to get rid of two problems all at once,
sends out both Mickeys to slaughter their way through the monsters. But
Mickey 17 has a special connection to them and tries to use this to his -
and the whole colonist community's - advantage ... Despite all
of its science fiction coating, Mickey 17 is actually a rather
brilliant satire on the current political climate of the USA, but one that
also works taken out of the actual context and seen as more or a parable.
And if there's one thing that I would critique about the movie is that it
tries to hit too many targets all at once, so the story as such sometimes
suffers. But what makes Mickey 17 then is that it takes its science
fiction roots seriousty, creates a within the limits of the genre
believable world that feels well lived in, warts and all - and it's
carried by a rather first grade cast for sure. That said, the film flopped
on a reported $118 million budget - which says little about the actual
quality and just proves satire isn't necessarily for everyone, making the
big budget a questiuonable decision to begin with - for my own sake I'm
happy it was made as I was very well-entertained.
|
|

|