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Thanatomania
Germany 2023
produced by Kevin Gschiel, Patrick Lang, Carlos Armin Rosario, René Wiesner, Alexander Gruschka (executive), Sebastian Hojka (executive) for RWFilms
directed by René Wiesner
starring Jörg Wischnauski, Dietrich Kuhlbrodt, Brian Trenchard-Smith, Julia Seewald, Kitty Thai, Jeff Clark, Dennis Pelzer, Niklas Schäpsmeier, Manuel Luckhardt, Martin Faltermeier, Natalia Devic, Christian Kind, Atcharapan Wiesner, René Wiesner
written by René Wiesner, music by Stephan Ortlepp/Musica Non Grata
review by Mike Haberfelner
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Peter's (Jörg Wischnauski) is not a man who's doing particularly well -
the mere fact that his father has never believed in him and has mocked him
for that has left a deep hole in him, and since he has become, well,
weird: He has made it his habit to take pictures of dead animals whichhe
collects in his journal, and has even started himself of late. And that
meetings with his cinematic idols (Brian Trenchard-Smith and René Wiesner
as themselves) has produced anything meaningful. Eventually, Peter's so
far gone that he has a prostitute (Julia Seewald) play dead while he shags
her, and when that doesn't work ... well, the girl gets away if only just.
But a traumatic encounter at a slaughterhouse might finally turn Peter for
the better - if it isn't already too late for that ...
Now Thanatomania most certainly isn't a film for
everybody, as in its portrayal of its main character it's (intentionally)
disturbing, and it doesn't shy away from the more disgusting aspects of
his life, either. Plus, the film clearly shares Peter's fascination with
all things dead - something that though has long become a trademark of
director René Wiesner's body of work. So if you're of a weak stomach,
this film is definitely not for you, That said, in it's disturbing nature,
Thanatomania is also fascinating, as it does its best to open a
door to its main character's mind and in the process makes one complicit
with this guy who at first comes across as nothing but a weirdo, also
thanks to a very engaging performance by Jörg Wischnauski. So in all,
definitely not for everybody, but a powerful film that will stay for a
while with those willing to step into its lead character's world.
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review © by Mike Haberfelner
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Robots and rats,
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love and death and everything in between,
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Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
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