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Esta Noite Encarnarei no Teu Cadáver

This Night I will Possess Your Corpse
Tonight I will Eat Your Corpse

Brazil 1967
produced by
José Mojica Marins, Augusto Pereira for Ibérica Filmes
directed by José Mojica Marins
starring José Mojica Marins, Tina Wohlers, Nadia Freitas, Antonio Fracari, Jose Lobo, Esmeralda Ruchel, Paula Ramos, Tania Mendonca, Arlete Brazolin, Geraldo Bueno, José Cavalho, Oswaldo De Souza, Graveto, Lya Lagutte, Nivaldo Lima, Carmen Marins, Mina Monte, William Morgan, Roque Rodrigues, Nadia Tell, José Vedovato
written by José Mojica Marins, Aldenora De Sa Porto, music by Herminio Giménez

Zé do Caixao/Coffin Joe

review by
Mike Haberfelner

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Rather unexpectedly, Zé do Caixao/Coffin Joe (José Mojica Marins), atheist, satanist and all-around badman, has apparently not died at the end of At Midnight I'll Take Your Soul after all, he is cleared of all of his crimes in court due to lack of evidence, and even his eyesight is restored. So he and his hunchback Bruno (Jose Lobo) move to a new village - to find the perfect woman for Coffin Joe, the one who is destined to carry his son. So they kidnap 6 women as possible candidates. But Coffin Joe doesn't just rape them, he treats them like ladies - until one night, he releases a bunch of spiders on them. Five of the girls freak out, only Marcia (Nadia Freitas) stays calm, also because she knows it's part of a test and she's fascinated by Coffin Joe. As a consequence, Joe takes Marcia to his bedroom and throws the other five into his snakepit. But when he makes love to Marcia while with the other girld dying in clear view, Marcia finally freaks out, because this is a tad too much for her. To her own surprise, Marcia lets her go just like that, because on one hand she has shown courage even if she didn't prove to be his perfect girl, and on the other hand because she's in love with him, which is why she will never tell on him. Another of the girls Joe has kidnapped manages to curse him with her dying breath though.

Enter Marcia's cousin Laura (Tina Wohlers): It's love at first sight between her and Coffin Joe, and she shares all of his warped views. Laura's brother Claudio is against their union though, so he tries to

persuade Joe to leave the region for good offering him money. Joe pretends to accept but makes an elaborate plan to kill Claudio and put the blame Laura's family's bodyguard Truncador (Antonio Fracari), a possible threat for his plans, with the active assistance of Marcia, who's in unconditional love with him despite everything. This works like a charm, and Laura doesn't mind in the least that Joe killed her brother, neither. So operation impregnation is put into action ...

At the local pub, Joe learns that the girl who has cursed him in the snakepit was pregnant, which affects him more than a bit, because while he couldn't care less about any adult he has ever met, he has a healthy respect for children. Joe starts to dream of going to hell (a colour sequence in anotherwise black and white movie) and starts to experience haunting situations.

Meanwhile, Laura's father has freed Truncador from prison and ordered him to bring him Coffin Joe - but Joe manages to kill Truncador and his henchmen by luring them into the nearby swamp. Then though, Marcia is overcome by guilt and she takes poison, and with her dying breath, she confesses to the crimes she committed together with Coffin Joe. Now Laura's dad forms a lynch mob to go after Coffin Joe while the doctor loses both Laura and her child at childbirth.

All of his plans ruined, Coffin Joe finds himself on the run again, and this time he is driven into the swamp, and while he sinks into his watery grave, the bodies of the girls he has killed (and which he has dumped into the swamp) come up again ...

 

If you liked At Midnight I'll Take Your Soul, you will very probably like this one, too: It's another horrorfilm with strong immoral undercurrents, a healthy disregard for genre conventions and the occasional surreal element. And it also has the raw quality of the earlier film, a quality that can only in parts be explained away by the film's low budget, but rather has to do with director Marins' own filmmaking energy.

Recommended.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
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special appearances by
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directed by
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written by
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produced by
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