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Abashiri Bangaichi

Walls of Abashiri Prison
Abashiri Prison

Japan 1965
produced by
Toei
directed by Teruo Ishii
starring Ken Takakura, Tetsuro Tanba, Kunie Tanaka
story by Hajime Ito, screenplay by Teruo Ishii, music by Masao Yagi

Abashiri Prison

review by
Mike Haberfelner

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Because he has slain a Yakuza boss with a sword, Shinichi Tachibana (Ken Takakura) is thrown into the slammer, Abashiri prison, where it seems to be permanent winter and where the convicts work mainly as lumberjacks. Initially, Tachibana finds it difficult to adjust, and he gets into a lot of fights and is frequently thrown into solitary confinement. All this changes though when his probation officer Tsubaki tells him his mother is suffering from cancer - and probably won't live long enough to see him being released from prison. Tachibana immediately realizes he has to get out on parole just to visit his mother and tell her not to worry, so all of a sudden he behaves like a model prisoner ...

Now all that would be just fine, until Tachibana's cellmates plan an escape - and they more or less threaten to kill Tachibana should he refuse to join them. However, their first try to escape is spoiled by their old cellmate Akuta, whom they actually planned to murder because they couldn't take him with them - but who all of a sudden turns out the most dangerous hitman imaginable and puts all of them to their places.

One day while driving to work though Tachibana and the other convicts make a rather clumsy attempt to just jump off the truck and make a run for it ... but within minutes, all of the convicts are recaptured - all but Tachibana and Gondo, Tachibana's arch-enemy. But now they have to make good their escape together because they are cuffed together by the hand. And once out of prison, Gondo proves to be a sly fox, as he purposely beats up a woman who turns out to be probation officer Tsubaki's wife - because only this way, he figures, he can keep Tachibana from giving himself up. The two men thus have to make the best of it, and somehow they manage to stay ahead of their pursuers for the longest time.

Then though they have one of these stupid ideas to get rid of their cuffs - to lie down on the traintracks and let the next train cut the chain apart - and the plan works, too, but while Tachibana comes out of it unfazed - despite the fact he was the one who had to lie beneatht he train itself - Gondo is severely injured. Now Tachibana could have left the man who is his arch enemy anyways right then and there ... but when Gondo, of all people, calls for his mama, that somehow touches Tachibana - who himself hardly loves anyone but his own mum ... enter probation officer Tsubaki, gun in hand, who is deterined to kill those who have beaten up his wife. Tachibana immediately gives himself up, but he pleads for the life of Gondo, for whom he has suddenly developed a soft spot. And seeing Tachibana's gentle side, Tsubaki softens up as well and agrees to take Gondo to a Doctor ... and at long last, Gondo admits that he has beaten up Tsubaki's wife, and Tachibana had no part in it ...

 

Though not entirely free of kitsch and essentially not really inventive, this is an effective little prison thriller. When it came first out in Japan by the way it surprisingly became a tremendous success - and had 17 (!) sequels until 1972 and made lead actor Ken Takakura a superstar. While this film is a prison/prison escape movie in the purest sense of the word, later films in the series would focus more on the life outside.

 

review © by Mike Haberfelner

 

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