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Who Framed Roger Rabbit?
USA 1988
produced by Frank Marshall, Robert Watts, Kathleen Kennedy (executive), Steven Spielberg (executive) for Touchstone, Amblin Entertainment, Silver Screen Partners III/Walt Disney Productions
directed by Robert Zemeckis
starring Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer (voice), Stubby Kaye, Alan Tilvern, Richard LeParmentier, Lou Hirsch (voice), Betsy Brantley (performance model), Joel Silver, Paul Springer, Richard Ridings, Edwin Craig, Lindsay Holiday, Mike Edmonds, Morgan Deare (voice), Danny Capri, Christopher Hollosy, John-Paul Sipla, Laura Frances, Joel Cutrara, Billy J. Mitchell, Eric B. Sindon, Ed Herlihy, James O'Connell, Eugene Gutierrez, and the voices of April Winchell, Mae Questel, Mel Blanc, Tony Anselmo, Mary T. Radford, Joe Alaskey, David L. Lander, Fred Newman, June Foray, Russi Taylor, Les Perkins, Richard Williams, Wayne Allwine, Pat Buttram, Jim Cummings, Jim Gallant, Tony Pope, Peter Westy, Cherry Davis
screenplay by Jeffrey Price, Peter S. Seaman, based on the book Who Censored Roger Rabbit? by Gary K. Wolf, music by Alan Silvestri
Roger Rabbit, Donald Duck, Daffy Duck, and in cameos: Dumbo, Mickey Mouse, Bugs Bunny, Betty Boop, Porky Pig, Tweety, Droopy, Goofy, Woody Woodpecker
review by Mike Haberfelner
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1947, a parallel Hollywood where cartoon characters and "real"
people exist side by side, the former mainly working in the movie
business: Eddie Valiant (Bob Hoskins), a washed up, alcoholic private eye
who has lost direction ever since a toon has killed his brother, is hired
to shadow Jessica Rabbit, star of Maroon Studio's star hare Roger, whose
performance has suffered ever since he has begun to suspect his wife is
cheating on him. And Eddie has no problems getting incriminating photos of
Jessica with toon benefactor and owner of the toon's distric Toonland,
Marvin Acme (Stubby Kaye). This drives Roger into a rage, and wouldn't you
know it, the next day Acme ends up dead, and Judge Doom (Christopher
Lloyd), who's handling the case, leaves no doubt that he's convinced of
the rabbit's guilt and that he want to dissolve him in acid, the only
means to kill a toon. This is too much even for toon-hater Eddie, so he
has Roger convince him to help him actually solve the case. And as slow as
Eddie is to pick up clues as quick is Roger to get into trouble. Soon
enough, too, everything points to R.K. Maroon (Alan Tilvern), boss of
Maroon Studios, but then he's killed right before Eddie's very eyes, but
with him gone and Eddie learning that he has just sold his studio to Judge
Doom, who will also ínherit Toonland shouldn't Acme's will be found, the
clues finally point into the right direction, and after much to and fro
Doom almost naturally turns out not only to be a toon himself but also the
killer of Eddie's brother, and to nobody's real surprise everything ends
happily. Joanna Cassidy plays Eddie's love interest. Now
first and foremost, Who Framed Roger Rabbit? is of course
a loveletter to the cartoons of the 1940s, and in that respect the film
noir-ish framing story makes of course perfect sense as well - and it
can't be over-stated what an achievement this movie has accomlished by
bringing this many of the classic cartoon characters from various studios
together for a rather homonogenous whole - which though is also oneo f the
weaknesses of the film, it's just over-wought with Easter eggs that at
times stand in the way of the film's narrative flow. That said, the film
is near-perfet when it comes to paying hommage, so much so that the
cartoon gags which are mostly warmed-up mainstays from a by-gone era seem
fresh again. And in all, the film seems almost a bit out of time in
regards to family entertainment, it's neither as sanitized nor as
formulaic, not as continuity- nor as sookie-cutter-obsessed as family
entertainment as a whole has become since the 1940s (and even more so
since the 1980s of course): There's murder, alcoholism, a very sexualized
character with sexual allusions to boot - all of which oddly enough gives
the movie some depth not normally associated with "fun for the hole
family". That all said, I'd hardly call this the greatest movie ever,
despite being rather brilliantly made and played it just leans too heavily
on the hommage side of things for that, but as a cartoony hoot it's at the
same time just awesome fun!
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