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Wonder Woman - The Return of Wonder Woman

episode 2.1

USA 1977
produced by
Mark Rodgers, Wilfred Ralph Baumes (executive), Douglas S. Cramer (executive) for the Douglas S. Cramer Company, Warner Brothers/CBS
directed by Alan Crosland jr
starring Lynda Carter, Lyle Waggoner, Norman Burton, Fritz Weaver, Bettye Ackerman, Jessica Walter, Beatrice Straight, David Knapp, Carlos Romero, Dorrie Thomson, Argentina Brunetti, Edward Cross, Jo de Winter, George Ives, Frank Killmond, Russ Marin, William Tregoe, Raye Sheffield
screenplay by Stephen Kandel, based on the comic created by William Moulton Marston, published by DC Comics, music by Artie Kane

TV-series
Wonder Woman, Wonder Woman (Lynda Carter)

review by
Mike Haberfelner

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After World War II. Wonder Woman (Lynda Carter) has apparently disappeared from the face of the earth - or from American soil at least as she has gone back to her native Paradise Island, it's never really explained why. Now (as in 1977) a plane carrying her erstwhile boyfriend Steve Trevor's son Steve Trevor (Lyle Waggoner) emergency lands on Paradise Island due to a terrorist attack, and Wonder Woman figures she ought to go to the outside world again to help Tevor. But not before being challenged by Evadne (Dorrie Thomson) to a friendly duel for the mantle of Wonder Woman, Anyways, the new Steve Trevor is on a mission to fly a nuclear power station to South America, a power station a power-hungry diplomat, Dr. Solano (Fritz Weaver), wants to get his hands on. So he and his charming assistant Gloria (Jessica Walter) lure Trevor to a function at their embassy, replace him with a body double, and the body double re-directs the power plant-carrying plane to some obscure quarry under Solano's control. But Wonder Woman, who has cheated herself into working As Trevor's assistant Diana Prince, sees through the charade, unmasks Trevor's double, then she and Trevor fly to the quarry in question in her invisible plane, arriving ahead of the power station, and once there, Solano challenges her to a fencing duel, but replaces himself with a nuclear-powered robot that almost fights Diana to a standstill, but then she realizes the robot's actually an atom bomb and throws it after Solano and Gloria who try to escape through a mine shaft - and when the bomb blows up, the world#s saved ... unil the next episode.

 

For the second season, Wonder Woman hasn't only moved from the 1940s to 1977, but also to another network (from ABC to CBS) - and for some reason, this prompted those in power to set up the character's backstory yet again, even if there were a mere seven month since the previous episode first played, while not giving any explanation for the 30+ year jump at all. And frankly, the changes in direction of the series don't do it much good, while the first season was hokey and campy fun for sure, the new iteration is more soulless espionage cloak and dagger that's not even properly though through and has far to many filler scenes that are at best remotely tense and quite slimply too routine to spakr much enthusiasm. That said, this one's still mildly amusing from a nostalgic point of view at least, but hardly anything beyond just that.

 

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review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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