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Aimy (Allisyn Ashley Arm) is a trouble child ... oh, not really
actually, she's just creative, thrives to be a painter, and isn't really
one to follow "the rules" - which is already enough to drive
Aimy's grandmother (Terry Moore) to despair, and grandma is resourceful
enough to turn the whole household against Aimy, including Aimy's almost
always absent dad (Theodore Bouloukos) and Aimy's live-in boyfriend Steve
(Michael William Hunter) against her and convinces everybody that Aimy's
in desparate need of (illegal) brain surgery. The only one who's on Aimy's
side is grandma's young "fiancé", but his motives might not be
exactly of an altruistic nature ... Eventually, Aimy gets brain surgery,
too, but the effects of the controversial method used wear off all to
quickly, and soon enough, Aimy's back to her old self, and seeing what has
been done to her starts to rebel more consciously - rebellion that
eventually causes her grandma's heart attack and death ... or at least,
the others blame it on Aimy. Then a new and uncontrollable form of plague
strikes and the whole town is put under curfew ... and with grandma gone,
the others in the household want to have to do less and less with Aimy, so
they tie her up in her room and pretty much leave her to rot - especially
her boyfriend, who has long (inofficially) ditched her and gotten friendly
with houseguest Kelly (Sara Murphy), even impregnated her. But the
situation gets worse and worse, especially when Aimy's family start dying
but those who remain alive find themselves locked in with Aimy by
(martial) law ... Aimy in a Cage is basically a film
unlike anything you've ever seen before (even if you might at times be
reminded of David Lynch, Terry Gilliam, Ken Russell, Tim Burton and the
like): Its story is just completely far-out, borderline insane in the best
possible of ways, and it's told in a not strictly linear, often
associative sort of way. And special mention just has to go to the
costumes and set design that are not just here to add splashes of colour
to the proceedings but help to set up the atmosphere, to move the story
along, and at times even get in the minds of the characters. And add to
that a beautiful directorial effort that finds subtlety in all the
craziness without seeming in the least to be held back, and a first rate
cast, and you've got yourself something that ... you've just never seen -
but if you approach it with an open mind, you will in all probability love
it, too!
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